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Today's Stichomancy for Doc Holliday

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Across The Plains by Robert Louis Stevenson:

sacred as another's; when we cannot defend both, let us defend one with a stout heart. It is only in so far as we are doing this, that we have any right to interfere: the defence of B is our only ground of action against A. A has as good a right to go to the devil, as we to go to glory; and neither knows what he does.

The truth is that all these interventions and denunciations and militant mongerings of moral half-truths, though they be sometimes needful, though they are often enjoyable, do yet belong to an inferior grade of duties. Ill-temper and envy and revenge find here an arsenal of pious disguises; this is the playground of inverted lusts. With a little more patience and a little less

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Atheist's Mass by Honore de Balzac:

same hour, to see if he should find him there again. In that case the periodicity of his devotion would justify a scientific investigation; for in such a man there ought to be no direct antagonism of thought and action.

Next year, on the said day and hour, Bianchon, who had already ceased to be Desplein's house surgeon, saw the great man's cab standing at the corner of the Rue de Tournon and the Rue du Petit-Lion, whence his friend jesuitically crept along by the wall of Saint-Sulpice, and once more attended mass in front of the Virgin's altar. It was Desplein, sure enough! The master- surgeon, the atheist at heart, the worshiper by chance. The

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Kwaidan by Lafcadio Hearn:

garden, and halted again before some entrance; and the retainer cried in a loud voice, "Within there! I have brought Hoichi." Then came sounds of feet hurrying, and screens sliding, and rain-doors opening, and voices of womeni n converse. By the language of the women Hoichi knew them to be domestics in some noble household; but he could not imagine to what place he had been conducted. Little time was allowed him for conjecture. After he had been helped to mount several stone steps, upon the last of which he was told to leave his sandals, a woman's hand guided him along interminable reaches of polished planking, and round pillared angles too many to remember, and over widths amazing of matted floor,-- into the middle of some vast apartment. There he thought that many great people were assembled: the sound of the


Kwaidan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Heap O' Livin' by Edgar A. Guest:

freeze; My Paw said so.

Girls is a-scared of a snake, but boys ain't, My Paw said so. They holler an' run; an' sometimes they faint, My Paw said so. But boys would be 'shamed to be frightened that way When all that the snake wants to do is to play; You've got to believe every word that I say, My Paw said so.


A Heap O' Livin'