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Today's Stichomancy for Doc Holliday

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Glinda of Oz by L. Frank Baum:

Princess Dorothy of Oz, who came from a country called Kansas. I know nothing of the Land of Oz, and I know nothing of Kansas."

"Why, this is the Land of Oz!" cried Dorothy. "It's a part of the Land of Oz, anyhow, whether you know it or not."

"Oh, in-deed!" answered Queen Coo-ee-oh, scornfully. "I suppose you will claim next that this Princess Ozma, ruling the Land of Oz, rules me!"

"Of course," returned Dorothy. "There's no doubt of it."


Glinda of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad:

thing that surprises me is that the sticks have stuck to her all this time."

Ultimately some of the minor spars did go - nothing important: spanker-booms and such-like - because at times the frightful impetus of her rolling would part a fourfold tackle of new three- inch Manilla line as if it were weaker than pack-thread.

It was only poetic justice that the chief mate who had made a mistake - perhaps a half-excusable one - about the distribution of his ship's cargo should pay the penalty. A piece of one of the minor spars that did carry away flew against the chief mate's back, and sent him sliding on his face for quite a considerable distance


The Mirror of the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Foolish Virgin by Thomas Dixon:

"No."

"Why?"

"She had all she could stand----"

Jim stared in silence.

"You think she'd be sorry to know I am alive?" he asked slowly.

"It would be a great shock."

The steel blue eyes slowly filled with tears.

"God! I am rotten, ain't I?"

"There's no doubt about that, my son," was the firm answer.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Exiles by Honore de Balzac:

irresistible force which condemned him to perch on the verge of Hell. My divine Guide, guessing my curiosity, touched the unhappy Shade with his palm-branch. He, who was perhaps trying to measure the age of sorrow that divided him from that ever-vanishing 'To-morrow,' started and gave a look full of all the tears he had already shed.

" 'You would know my woe?' said he sadly. 'Oh, I love to tell it. I am here, Teresa is above; that is all. On earth we were happy, we were always together. When I saw my loved Teresa Donati for the first time, she was ten years old. We loved each other even then, not knowing what love meant. Our lives were one; I turned pale if she were pale, I was happy in her joy; we gave ourselves up to the pleasure of thinking and