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Today's Stichomancy for Douglas Adams

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Hidden Masterpiece by Honore de Balzac:

color of Titian has forced out the skeleton outline of Albrecht Durier, as molten bronze might burst and overflow a slender mould. Here and there the outline has resisted the flood, and holds back the magnificent torrent of Venetian color. Your figure is neither perfectly well painted nor perfectly well drawn; it bears throughout the signs of this unfortunate indecision. If you did not feel that the fire of your genius was hot enough to weld into one the rival methods, you ought to have chosen honestly the one or the other, and thus attained the unity which conveys one aspect, at least, of life. As it is, you are true only on your middle plane. Your outlines are false; they do not round upon themselves; they suggest nothing behind them.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Iliad by Homer:

how we may appease him, both with presents and fair speeches that may conciliate him."

And King Agamemnon answered, "Sir, you have reproved my folly justly. I was wrong. I own it. One whom heaven befriends is in himself a host, and Jove has shown that he befriends this man by destroying much people of the Achaeans. I was blinded with passion and yielded to my worser mind; therefore I will make amends, and will give him great gifts by way of atonement. I will tell them in the presence of you all. I will give him seven tripods that have never yet been on the fire, and ten talents of gold. I will give him twenty iron cauldrons and twelve strong


The Iliad
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Rivers by Henry van Dyke:

doth not break the head, and took it gratefully at the old man's hands. For did it not prove that he regarded me as a man and a brother, a creature capable of being civilised and saved?

It was in the gray town of Dingwall that I had this bit of pleasant correction, as I was on the way to a fishing tramp through Sutherlandshire. This northwest corner of Great Britain is the best place in the whole island for a modest and impecunious angler. There are, or there were a few years ago, wild lochs and streams which are still practically free, and a man who is content with small things can pick up some very pretty sport from the highland inns, and make a good basket of memorable experiences every week.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Drama on the Seashore by Honore de Balzac:

fish, or the shell-fish; whereas a real fisherman puts out to sea for them. It is so hard to earn a living this way that I'm the only man in these parts who fishes along-shore. I spend whole days without getting anything. To catch a crab, it must go to sleep, as this one did, and a lobster must be silly enough to stay among the rocks. Sometimes after a high tide the mussels come in and I grab them."

"Well, taking one day with another, how much do you earn?"

"Oh, eleven or twelve sous. I could do with that if I were alone; but I have got my old father to keep, and he can't do anything, the good man, because he's blind."

At these words, said simply, Pauline and I looked at each other