| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Hidden Masterpiece by Honore de Balzac: first by its highest lights, and then work down to the darker
portions. Is not that the method of the sun, divine painter of the
universe? O Nature, Nature! who has ever caught thee in thy flights?
Alas! the heights of knowledge, like the depths of ignorance, lead to
unbelief. I doubt my work."
The old man paused, then resumed. "For ten years I have worked, young
man; but what are ten short years in the long struggle with Nature? We
do not know the type it cost Pygmalion to make the only statue that
ever walked--"
He fell into a reverie and remained, with fixed eyes, oblivious of all
about him, playing mechanically with his knife.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: deceitful coloring, those dull, tarnished eyes, and garrulous, sensual
mouths, in which the observer recognizes the symptoms of the
degeneracy of the thought and its rotation in the circle of a special
idea which destroys the creative faculties of the brain and the gift
of seeing in large, of generalizing and deducing. No man who has
allowed himself to be caught in the revolutions of the gear of these
huge machines can ever become great. If he is a doctor, either he has
practised little or he is an exception--a Bichat who dies young. If a
great merchant, something remains--he is almost Jacques Coeur. Did
Robespierre practise? Danton was an idler who waited. But who,
moreover has ever felt envious of the figures of Danton and
 The Girl with the Golden Eyes |