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Today's Stichomancy for Douglas MacArthur

The first excerpt represents the past or something you must release, and is drawn from Love and Friendship by Jane Austen:

Mother was the natural Daughter of a Scotch Peer by an italian Opera-girl--I was born in Spain and received my Education at a Convent in France.

When I had reached my eighteenth Year I was recalled by my Parents to my paternal roof in Wales. Our mansion was situated in one of the most romantic parts of the Vale of Uske. Tho' my Charms are now considerably softened and somewhat impaired by the Misfortunes I have undergone, I was once beautiful. But lovely as I was the Graces of my Person were the least of my Perfections. Of every accomplishment accustomary to my sex, I was Mistress. When in the Convent, my progress had always exceeded my


Love and Friendship
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:

extreme importance. If not, I should much prefer to communicate with you alone."

I rose to go, but Holmes caught me by the wrist and pushed me back into my chair. "It is both, or none," said he. "You may say before this gentleman anything which you may say to me."

The Count shrugged his broad shoulders. "Then I must begin," said he, "by binding you both to absolute secrecy for two years; at the end of that time the matter will be of no importance. At present it is not too much to say that it is of such weight it may have an influence upon European history."

"I promise," said Holmes.


The Adventures of Sherlock Holmes
The third excerpt represents the future or something you must embrace, and is drawn from The Economist by Xenophon:

to teach another, should the humour take you. I imagine, Socrates (he added), that you yourself, albeit quite unconscious of the fact, already know a vast amount about the subject. The fact is, other craftsmen (the race, I mean, in general of artists) are each and all disposed to keep the most important[11] features of their several arts concealed: with husbandry it is different. Here the man who has the most skill in planting will take most pleasure in being watched by others; and so too the most skilful sower. Ask any question you may choose about results thus beautifully wrought, and not one feature in the whole performance will the doer of it seek to keep concealed. To such height of nobleness (he added), Socrats, does husbandry appear,