The first excerpt represents the past or something you must release, and is drawn from Phaedrus by Plato: question: the practice and feeling of some foreign countries appears to be
more doubtful.' Suppose a modern Socrates, in defiance of the received
notions of society and the sentimental literature of the day, alone against
all the writers and readers of novels, to suggest this enquiry, would not
the younger 'part of the world be ready to take off its coat and run at him
might and main?' (Republic.) Yet, if like Peisthetaerus in Aristophanes,
he could persuade the 'birds' to hear him, retiring a little behind a
rampart, not of pots and dishes, but of unreadable books, he might have
something to say for himself. Might he not argue, 'that a rational being
should not follow the dictates of passion in the most important act of his
or her life'? Who would willingly enter into a contract at first sight,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Beyond Good and Evil by Friedrich Nietzsche: portion of the "outside world." Its object thereby is the
incorporation of new "experiences," the assortment of new things
in the old arrangements--in short, growth; or more properly, the
FEELING of growth, the feeling of increased power--is its object.
This same will has at its service an apparently opposed impulse
of the spirit, a suddenly adopted preference of ignorance, of
arbitrary shutting out, a closing of windows, an inner denial of
this or that, a prohibition to approach, a sort of defensive
attitude against much that is knowable, a contentment with
obscurity, with the shutting-in horizon, an acceptance and
approval of ignorance: as that which is all necessary according
 Beyond Good and Evil |
The third excerpt represents the future or something you must embrace, and is drawn from Catherine de Medici by Honore de Balzac: the king's dinner, the chancellor and Cardinal de Tournon came to
fetch the prince and present him to Francois II. in the great gallery
of the chateau of Amboise, where the councils were held. There, before
the whole court, Conde pretended surprise at the coldness with which
the little king received him, and asked the reason of it.
"You are accused, cousin," said the queen-mother, sternly, "of taking
part in the conspiracy of the Reformers; and you must prove yourself a
faithful subject and a good Catholic, if you do not desire to draw
down upon your house the anger of the king."
Hearing these words said, in the midst of the most profound silence,
by Catherine de' Medici, on whose right arm the king was leaning, the
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