| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rivers to the Sea by Sara Teasdale: Too tired for singing mirth--
Oh, be the green fields calling,
Oh, be for me the earth!
I am the brown bird pining
To leave the nest and fly--
Oh, be the fresh cloud shining,
Oh, be for me the sky!
APRIL SONG
WILLOW in your April gown
Delicate and gleaming,
Do you mind in years gone by
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: sweat, and bestir them. Then, careless of the future, greedy of
pleasure, counting on their right arm as the painter on his palette,
lords for one day, they throw their money on Mondays to the /cabarets/
which gird the town like a belt of mud, haunts of the most shameless
of the daughters of Venus, in which the periodical money of this
people, as ferocious in their pleasures as they are calm at work, is
squandered as it had been at play. For five days, then, there is no
repose for this laborious portion of Paris! It is given up to actions
which make it warped and rough, lean and pale, gush forth with a
thousand fits of creative energy. And then its pleasure, its repose,
are an exhausting debauch, swarthy and black with blows, white with
 The Girl with the Golden Eyes |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Hero of Our Time by M.Y. Lermontov: said, with a significant shake of the head:
"Yes, sir, of course! It was a very ingenious
trick! However, these Asiatic pistols often
miss fire if they are badly oiled or if you don't
press hard enough on the trigger. I confess I
don't like the Circassian carbines either. Some-
how or other they don't suit the like of us: the
butt end is so small, and any minute you may
get your nose burnt! On the other hand, their
sabres, now -- well, all I need say is, my best
respects to them!"
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Youth by Joseph Conrad: this was a gruff 'All right,' and the next thing was a
heavy crash as the steamer struck a glancing blow with
the bluff of her bow about our fore-rigging. There was
a moment of confusion, yelling, and running about.
Steam roared. Then somebody was heard saying, 'All
clear, sir.' . . . 'Are you all right?' asked the gruff
voice. I had jumped forward to see the damage, and
hailed back, 'I think so.' 'Easy astern,' said the gruff
voice. A bell jingled. 'What steamer is that?'
screamed Mahon. By that time she was no more to us
than a bulky shadow maneuvering a little way off. They
 Youth |