| The first excerpt represents the past or something you must release, and is drawn from The New Machiavelli by H. G. Wells: engagement, in spite of the broadest hints and the glaring
obviousness of everything, that summer.
Every summer the Baileys went out of London to some house they hired
or borrowed, leaving their secretaries toiling behind, and they went
on working hard in the mornings and evenings and taking exercise in
the open air in the afternoon. They cycled assiduously and went for
long walks at a trot, and raided and studied (and incidentally
explained themselves to) any social "types" that lived in the
neighbourhood. One invaded type, resentful under research,
described them with a dreadful aptness as Donna Quixote and Sancho
Panza--and himself as a harmless windmill, hurting no one and
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Cromwell by William Shakespeare: of Norfolk, and of Suffolk, Sir Thomas More, Sir
Christopher Hales, and Cromwell.]
NORFOLK.
Master Cromwell, since Cardinal Wolsey's death,
His majesty is given to understand
There's certain bills and writings in your hand,
That much concerns the state of England.
My Lord of Winchester, is it not so?
GARDINER.
My Lord of Norfolk, we two wear whilom fellows;
And, master Cromwell, though our master's love
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The third excerpt represents the future or something you must embrace, and is drawn from King Henry VI by William Shakespeare: WARWICK.
Graceless! wilt thou deny thy parentage?
YORK.
This argues what her kind of life hath been,
Wicked and vile; and so her death concludes.
SHEPHERD.
Fie, Joan, that thou wilt be so obstacle!
God knows thou art a collop of my flesh;
And for thy sake have I shed many a tear:
Deny me not, I prithee, gentle Joan.
PUCELLE.
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