| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Prince Otto by Robert Louis Stevenson: 'As far as the cross-road to Tannenbrunn,' the man replied. 'Will
you bear company?'
'With pleasure. I have even waited for you on the chance,' answered
Otto.
By this time they were close alongside; and the man, with the
countryfolk instinct, turned his cloudy vision first of all on his
companion's mount. 'The devil!' he cried. 'You ride a bonny mare,
friend!' And then, his curiosity being satisfied about the
essential, he turned his attention to that merely secondary matter,
his companion's face. He started. 'The Prince!' he cried,
saluting, with another yaw that came near dismounting him. 'I beg
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ball at Sceaux by Honore de Balzac: Paris back-shops. And a good many bourgeois marriages have had their
beginning to the sound of the band occupying the centre of this
circular ballroom. If that roof could speak, what love-stories could
it not tell!
This interesting medley gave the Sceaux balls at that time a spice of
more amusement than those of two or three places of the same kind near
Paris; and it had incontestable advantages in its rotunda, and the
beauty of its situation and its gardens. Emilie was the first to
express a wish to play at being COMMON FOLK at this gleeful suburban
entertainment, and promised herself immense pleasure in mingling with
the crowd. Everybody wondered at her desire to wander through such a
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