| The first excerpt represents the past or something you must release, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov: tuning up in the darkness above the roofs, Vassilyev was
surprised and said:
"What a lot of houses!"
"That's nothing," said the medical student. "In London there are
ten times as many. There are about a hundred thousand such women
there."
The cabmen were sitting on their boxes as calmly and
indifferently as in any other side street; the same passers-by
were walking along the pavement as in other streets. No one was
hurrying, no one was hiding his face in his coat-collar, no one
shook his head reproachfully. . . . And in this indifference to
 The Schoolmistress and Other Stories |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from La Grenadiere by Honore de Balzac: expression; they trust you--put an entire belief in you. Perhaps there
are no undutiful children without undutiful mothers, for a child's
affection is always in proportion to the affection that it receives--
in early care, in the first words that it hears, in the response of
the eyes to which a child first looks for love and life. All these
things draw them closer to the mother or drive them apart. God lays
the child under the mother's heart, that she may learn that for a long
time to come her heart must be its home. And yet--there are mothers
cruelly slighted, mothers whose sublime, pathetic tenderness meets
only a harsh return, a hideous ingratitude which shows how difficult
it is to lay down hard-and-fast rules in matters of feeling.
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The third excerpt represents the future or something you must embrace, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart: "Writing!" said Hannah. "Is it a book you're writing?"
"A Play."
"Listen to the child! A Play!"
I sat on the edge of the bed.
"Listen, Hannah," I said. "It is not what is outside of us that
matters. It is what is inside. It is what we are, not what we eat,
or look like, or wear. I have given up everything, Hannah, to my Career."
"You're young yet," said Hannah. "You used to be fond enough of the Boys."
Hannah has been with us for years, so she gets rather talkey at
times, and has to be sat upon.
"I care nothing whatever for the Other Sex," I replied hautily.
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