| The first excerpt represents the past or something you must release, and is drawn from Under the Andes by Rex Stout: "Ah! Indeed, you are perfection. And--how well you know me."
She paused and seemed to be searching for words; then she said
abruptly: "M. Lamar, I wish you to do me a favor."
"Anything, Le Mire, in or out of reason."
Again she hesitated; then:
"Do not call me Le Mire."
I laughed.
"But certainly, Senora Ramal. And what is the favor?"
"That."
"That--"
"Do not call me Le Mire--nor Senora Ramal."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Memories and Portraits by Robert Louis Stevenson: seven; of beacons, (4) about twenty-five. Many harbours were
successfully carried out: one, the harbour of Wick, the chief
disaster of my father's life, was a failure; the sea proved too
strong for man's arts; and after expedients hitherto unthought of,
and on a scale hyper-cyclopean, the work must be deserted, and now
stands a ruin in that bleak, God-forsaken bay, ten miles from John-
o'-Groat's. In the improvement of rivers the brothers were
likewise in a large way of practice over both England and Scotland,
nor had any British engineer anything approaching their experience.
It was about this nucleus of his professional labours that all my
father's scientific inquiries and inventions centred; these
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The third excerpt represents the future or something you must embrace, and is drawn from Songs of Travel by Robert Louis Stevenson: And still to battle and perish for a dream of good:
God, if that were enough?
If to feel, in the ink of the slough,
And the sink of the mire,
Veins of glory and fire
Run through and transpierce and transpire,
And a secret purpose of glory in every part,
And the answering glory of battle fill my heart;
To thrill with the joy of girded men
To go on for ever and fail and go on again,
And be mauled to the earth and arise,
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