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Today's Stichomancy for Elle Macpherson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

anti-climax. His family were enormously wealthy--even in college his freedom with money was a matter for reproach--but now he'd left Chicago and come East in a fashion that rather took your breath away: for instance, he'd brought down a string of polo ponies from Lake Forest. it was hard to realize that a man in my own generation was wealthy enough to do that.

Why they came East I don't know. They had spent a year in France for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together. This was a permanent move, said Daisy over the telephone, but I didn't believe it--I had no sight into Daisy's heart, but I felt that Tom would drift on forever seeking,


The Great Gatsby
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hated Son by Honore de Balzac:

waters. On days of perfect stillness his eyes could see the manifold tints of the ocean, which to him, like the face of a woman, had its physiognomy, its smiles, ideas, caprices; there green and sombre; here smiling and azure; sometimes uniting its brilliant lines with the hazy gleams of the horizon, or again, softly swaying beneath the orange- tinted heavens. For him all-glorious fetes were celebrated at sundown when the star of day poured its red colors on the waves in a crimson flood. For him the sea was gay and sparkling and spirited when it quivered in repeating the noonday light from a thousand dazzling facets; to him it revealed its wondrous melancholy; it made him weep whenever, calm or sad, it reflected the dun-gray sky surcharged with

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of the Klondyke by Jack London:

Tommy unbuckled the straps and took the pack from her. As he lifted it there was a clanging of pots and pans. Dick, pouring out a mug of whiskey, paused long enough to pass the wink across her body. Tommy winked back. His lips pursed the monosyllable, "clothes," but Dick shook his head reprovingly. "Here, little woman," he said, after she had drunk the whiskey and straightened up a bit.

"Here's some dry togs. Climb into them. We're going out to extra-peg the tent. After that, give us the call, and we'll come in and have dinner. Sing out when you're ready."

"So help me, Dick, that's knocked the edge off her for the rest of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Master Key by L. Frank Baum:

conveyance than this.

He unstrapped the machine from his wrist to examine it better, and while holding it carelessly in his hand it slipped and fell with a bang to the deck, striking upon its round edge and rolling quickly past the cabin and out of sight. With a cry of alarm he ran after it, and after much search found it lying against the bulwark near the edge of a scupper hole, where the least jar of the ship would have sent it to the bottom of the ocean. Rob hastily seized his treasure and upon examining it found the fall had bulged the rim so that the old dents scarcely showed at all. But its original shape was more distorted than ever, and Rob feared he had utterly ruined its delicate


The Master Key