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Today's Stichomancy for Elle Macpherson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

"From Eric Moreland Clapham-Lee, St. Eloi, Flanders." Six years before, in Flanders, a shelled hospital had fallen upon the headless reanimated trunk of Dr. Clapham-Lee, and upon the detached head which -- perhaps -- had uttered articulate sounds. West was not even excited now. His condition was more ghastly. Quickly he said, "It’s the finish -- but let’s incinerate -- this." We carried the thing down to the laboratory -- listening. I do not remember many particulars -- you can imagine my state of mind -- but it is a vicious lie to say it was Herbert West’s body which I put into the incinerator. We both inserted the whole unopened


Herbert West: Reanimator
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Howard Pyle's Book of Pirates by Howard Pyle:

pretense of having committed some great crime." Thus our good Noah Webster gives us the dry bones, the anatomy, upon which the imagination may construct a specimen to suit itself.

It is thence that the marooners took their name, for marooning was one of their most effective instruments of punishment or revenge. If a pirate broke one of the many rules which governed the particular band to which he belonged, he was marooned; did a captain defend his ship to such a degree as to be unpleasant to the pirates attacking it, he was marooned; even the pirate captain himself, if he displeased his followers by the severity of his rule, was in danger of having the same punishment visited


Howard Pyle's Book of Pirates
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Adieu by Honore de Balzac:

the rear-guard through the mass of human beings; it was already obliterated, like the wake of a vessel through the sea. They could only creep along, being often stopped by soldiers who threatened to kill their horses.

"Do you want to reach the bridge?" said the grenadier.

"At the cost of my life--at the cost of the whole world!"

"Then forward, march! you can't make omelets without breaking eggs."

And the grenadier of the guard urged the horses over men and bivouacs with bloody wheels and a double line of corpses on either side of them. We must do him the justice to say that he never spared his breath in shouting in stentorian tones,--

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

to London purposely to secure some of Treffinger's paintings.

MacMaster pursed up his lips and sat down, his overcoat still on. "Well, James, this is something of a--something of a jolt, eh? It never occurred to me she'd really do it."

"Lord, you don't know 'er, sir," said James bitterly, still staring at the floor in an attitude of abandoned dejection.

MacMaster started up in a flash of enlightenment, "What on earth have you got there, James? It's not-surely it's not--"

Yes, it is, sir," broke in the man excitedly. "It's the Marriage itself. It ayn't agoing to H'Australia, no'ow!"

"But man, what are you going to do with it? It's


The Troll Garden and Selected Stories