| The first excerpt represents the past or something you must release, and is drawn from The Wheels of Chance by H. G. Wells: over the stuffed bird on the chiffonier and turning towards the
door. "I might have known."
Phipps' mouth opened and shut.
"You're tired, I'm sure, Mr. Phipps," said the lady, soothingly.
"Let me ring for some tea for you." It suddenly occurred to
Phipps that he had lapsed a little from his chivalry. "I was a
little annoyed at the way he rushed me to do all this business,"
he said. "But I'd do a hundred times as much if it would bring
you any nearer to her." Pause. "I WOULD like a little tea."
"I don't want to raise any false hopes," said Widgery. "But I do
NOT believe they even came to Chichester. Dangle's a very clever
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Myths and Myth-Makers by John Fiske: metempsychosis, but we get a glimpse of the curious process by
which the intensely realistic mind of antiquity arrived at the
notion that men could be transformed into beasts. For the
belief that the soul can temporarily quit the body during
lifetime has been universally entertained; and from the
conception of wolf-like ghosts it was but a short step to the
conception of corporeal werewolves. In the Middle Ages the
phenomena of trance and catalepsy were cited in proof of the
theory that the soul can leave the body and afterwards return
to it. Hence it was very difficult for a person accused of
witchcraft to prove an alibi; for to any amount of evidence
 Myths and Myth-Makers |
The third excerpt represents the future or something you must embrace, and is drawn from The Phoenix and the Turtle by William Shakespeare: That the self was not the same;
Single nature's double name
Neither two nor one was call'd.
Reason, in itself confounded,
Saw division grow together;
To themselves yet either-neither,
Simple were so well compounded.
That it cried how true a twain
Seemeth this concordant one!
Love hath reason, reason none
If what parts can so remain.
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