| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon: than the straight sword,[9] since from the vantage-ground of the
horse's position the curved blade will descend with greater force than
the ordinary weapon.
[9] The {makhaira} (or {kopis}), Persian fashion, rather than the
{xephos}. "Cyrop." I. ii. 13.
Again, in place of the long reed spear, which is apt to be weak and
awkward to carry, we would substitute two darts of cornel-wood;[10]
the one of which the skilful horseman can let fly, and still ply the
one reserved in all directions, forwards, backwards,[11] and
obliquely; add to that, these smaller weapons are not only stronger
than the spear but far more manageable.
 On Horsemanship |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Love Songs by Sara Teasdale: Summer Night, Riverside
Jewels
II
Interlude: Songs out of Sorrow
I. Spirit's House
II. Mastery
III. Lessons
IV. Wisdom
V. In a Burying Ground
VI. Wood Song
VII. Refuge
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