| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy: privilege of being considered father of this infant. One of
these was my Lord Chesterfield, whom the child grew to resemble
in face and person; the second was Roger Palmer, who left her his
estate; the third was King Charles, who had her baptized Anne
Palmer Fitzroy, adopted her as his daughter, and eventually
married her to the Earl of Sussex.
Soon after the restoration the subject of his majesty's marriage
was mooted by his councillors, who trusted a happy union would
redeem him from vice, and, by bringing him heirs, help to
establish him more firmly in the affections of his people. The
king lending a willing ear to this advice, the sole difficulty in
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac: glory to be looked for there than from our luckless canvases!"
Notwithstanding this charitable advice, the two pictures were
exhibited. The /Interior/ made a revolution in painting. It gave birth
to the pictures of genre which pour into all our exhibitions in such
prodigious quantity that they might be supposed to be produced by
machinery. As to the portrait, few artists have forgotten that
lifelike work; and the public, which as a body is sometimes
discerning, awarded it the crown which Girodet himself had hung over
it. The two pictures were surrounded by a vast throng. They fought for
places, as women say. Speculators and moneyed men would have covered
the canvas with double napoleons, but the artist obstinately refused
|