| The first excerpt represents the past or something you must release, and is drawn from Lin McLean by Owen Wister: inquired of me, angrily, what was there in Kentucky she could not have in
Wyoming? Consequently, though I surmised what he must be debating, I felt
myself invited to keep out of his confidence, and I did so. My advice to
him would have been ill received, and--as was soon to be made plain--
would have done his delicacy injustice. Next, one morning he and Billy
were gone. My first thought was that he had rejoined Jessamine at Mrs.
Pierce's, where she was, and left me away over here on Bear Creek, where
we had come for part of a week.
But stuck in my hat-band I found a pencilled farewell.
Now Mr. McLean constructed perhaps three letters in the year--painful,
serious events--like an interview with some important person with whom
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber: and the lilting voice and the tragic eyes--she who had
stooped from a great height to pluck the flower of love
blooming below, only to find a worthless weed sullying
her hand; Alma Pflugel, with the unquenchable light of
gratefulness in her honest face; Von Gerhard, ready to
act as buffer between myself and the world, tender as a
woman, gravely thoughtful, with the light of devotion
glowing in his steady eyes.
"Here's richness," said I, like the fat boy in
Pickwick Papers. And I thanked God for the new energy
which had sent me to this lovely city by the lake. I
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The third excerpt represents the future or something you must embrace, and is drawn from Amy Foster by Joseph Conrad: familiarly the smooth top of a ploughed rise near
the road as I had seen it times innumerable touch
the distant horizon of the sea. The uniform
brownness of the harrowed field glowed with a rosy
tinge, as though the powdered clods had sweated
out in minute pearls of blood the toil of uncounted
ploughmen. From the edge of a copse a waggon
with two horses was rolling gently along the ridge.
Raised above our heads upon the sky-line, it loomed
up against the red sun, triumphantly big, enor-
mous, like a chariot of giants drawn by two slow-
 Amy Foster |