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Today's Stichomancy for Emiliano Zapata

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchess of Padua by Oscar Wilde:

Lord Moranzone, I purpose to ascend to the Duke's chamber, And as he lies asleep lay on his breast The dagger and this writing; when he awakes Then he will know who held him in his power And slew him not: this is the noblest vengeance Which I can take.

MORANZONE

You will not slay him?

GUIDO

No.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from What is Man? by Mark Twain:

pinch of ashes and a stink.

I saw the last act of "Tannh:auser." I sat in the gloom and the deep stillness, waiting--one minute, two minutes, I do not know exactly how long--then the soft music of the hidden orchestra began to breathe its rich, long sighs out from under the distant stage, and by and by the drop-curtain parted in the middle and was drawn softly aside, disclosing the twilighted wood and a wayside shrine, with a white-robed girl praying and a man standing near. Presently that noble chorus of men's voices was heard approaching, and from that moment until the closing of the curtain it was music, just music--music to make one drunk with


What is Man?
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Romeo and Juliet by William Shakespeare:

Remnants of packthred, and old cakes of Roses Were thinly scattered, to make vp a shew. Noting this penury, to my selfe I said, An if a man did need a poyson now, Whose sale is present death in Mantua, Here liues a Caitiffe wretch would sell it him. O this same thought did but fore-run my need, And this same needie man must sell it me. As I remember, this should be the house, Being holy day, the beggers shop is shut. What ho? Appothecarie?


Romeo and Juliet
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Human Drift by Jack London:

could be nothing else. If a ghost, the question was: would it appear again? If it did not, and I aroused the ship's officers, I would make myself the laughing stock of all on board. And by the same token, if it were a joke, my position would be still more ridiculous. If I were to retain my hard-won place of equality, it would never do to arouse any one until I ascertained the nature of the thing.

I am a brave man. I dare to say so; for in fear and trembling I crept up the companion-way and went back to the spot from which I had first seen the thing. It had vanished. My bravery was qualified, however. Though I could see nothing, I was afraid to