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Today's Stichomancy for Emiliano Zapata

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Protagoras by Plato:

To which the only opposite is the ugly?

There is no other.

And is there anything good?

There is.

To which the only opposite is the evil?

There is no other.

And there is the acute in sound?

True.

To which the only opposite is the grave?

There is no other, he said, but that.

Then every opposite has one opposite only and no more?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Reign of King Edward the Third by William Shakespeare:

PHILLIP. No hope, but death, to bury up our shame.

KING JOHN. Make up once more with me; the twentieth part Of those that live, are men inow to quail The feeble handful on the adverse part.

CHARLES. Then charge again: if heaven be not opposed, We cannot lose the day.

KING JOHN. On, away!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Journey to the Center of the Earth by Jules Verne:

rocks.

Here and there I could see puffs and jets of steam curling up into the air, called in Icelandic 'reykir,' issuing from thermal springs, and indicating by their motion the volcanic energy underneath. This seemed to justify my fears: But I fell from the height of my new-born hopes when my uncle said:

"You see all these volumes of steam, Axel; well, they demonstrate that we have nothing to fear from the fury of a volcanic eruption."

"Am I to believe that?" I cried.

"Understand this clearly," added the Professor. "At the approach of an eruption these jets would redouble their activity, but disappear


Journey to the Center of the Earth
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

treason, one would have said that she did not think it necessary to say even a word.

"'Yes, revel in what you have done.'

"And she sobbed.

"At the door stood her sister with the children.

"'Yes, see what you have done!'

"I cast a glance at the children, and then at her bruised and swollen face, and for the first time I forgot myself (my rights, my pride), and for the first time I saw in her a human being, a sister.

"And all that which a moment before had been so offensive to me


The Kreutzer Sonata