| The first excerpt represents the past or something you must release, and is drawn from The Kreutzer Sonata by Leo Tolstoy: with an expression of fear on her face, she added, "He may have
fallen asleep somewhere on the way."
About this time the joiner's wife, with hair unkempt and clothes
bedraggled, went up to the loft to gather the linen which she had
previously put there to dry. Suddenly a cry of horror was
heard, and the woman, with her eyes closed, and crazed by fear,
ran down the ladder like a cat.
"Illitch," she cried, "has hanged himself!"
Poor Akulina ran up the ladder before any of the people, who had
gathered from the surrounding houses, could prevent her. With a
loud shriek she fell back as if dead, and would surely have been
 The Kreutzer Sonata |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Mistress Wilding by Rafael Sabatini: laid his hand on his sister's shoulder. His voice was almost gentle.
"Ruth, you shall not do this for me. You must not."
"By Heaven, no!" snapped Blake before she could reply. "You are right,
Richard. Mistress Westmacott must not be the scapegoat. She shall not
play the part of Iphigenia."
But Ruth smiled wistfully as she answered him with a question,
"Where is the help for it?"
Richard knew where the help for it lay, and for once - for just a
moment - he contemplated danger and even death with equanimity.
"I can take up this quarrel again," he announced. "I can compel Mr.
Wilding to meet me.
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The third excerpt represents the future or something you must embrace, and is drawn from God The Invisible King by H. G. Wells: could easily have misjudged as too base or too dense for spiritual
understandings, lit by the manifest reflection of divinity. One may
be led into the absurdest underestimates of religious possibilities
if one estimates people only coldly and in the light of everyday
life. There is a sub-intellectual religious life which, very
conceivably, when its utmost range can be examined, excludes nothing
human from religious cooperation, which will use any words to its
tune, which takes its phrasing ready-made from the world about it,
as it takes the street for its temple, and yet which may be at its
inner point in the directest contact with God. Religion may suffer
from aphasia and still be religion; it may utter misleading or
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