The first excerpt represents the past or something you must release, and is drawn from The Underground City by Jules Verne: Thus there was one kingdom substituted for another in this
slow but irresistible reaction. The vegetable was transformed
into a mineral. Plants which had lived the vegeta-tive
life in all the vigor of first creation became petrified.
Some of the substances enclosed in this vast herbal left their
impression on the other more rapidly mineralized products,
which pressed them as an hydraulic press of incalculable power
would have done.
Thus also shells, zoophytes, star-fish, polypi, spirifores, even fish
and lizards brought by the water, left on the yet soft coal their
exact likeness, "admirably taken off."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rewards and Fairies by Rudyard Kipling: And saved 'em where they stood.
'Oh, what's the roaring in our ears
That strikes us well-nigh dumb?'
'Oh, that is just how things appears
According as they come.'
'What are the stars before our eyes
That strike us well-nigh blind?'
'Oh, that is just how things arise
According as you find.'
'And why's our bed so hard to the bones
Excepting where it's cold?'
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The third excerpt represents the future or something you must embrace, and is drawn from The Mountains by Stewart Edward White: trying fool routes of his own invention. If he were
sent ahead to set the pace, he lagged and loitered and
constantly looked back, worried lest he get too far in
advance and so lose the bunch. If put at the rear, he
fretted against the bit, trying to push on at a senseless
speed. In spite of his extreme anxiety to stay with
the train, he would once in a blue moon get a strange
idea of wandering off solitary through the mountains,
passing good feed, good water, good shelter. We
would find him, after a greater or less period of difficult
tracking, perched in a silly fashion on some elevation.
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