| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Brothers by Honore de Balzac: The Purse
The Government Clerks
Modeste Mignon
Scenes from a Courtesan's Life
The Firm of Nucingen
The Muse of the Department
Cousin Betty
The Member for Arcis
Beatrix
A Man of Business
Gaudissart II.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Village Rector by Honore de Balzac: one of those miracles of architecture such as Leonardo da Vinci
knew how to build,--mechanician, architect, painter, inventor of
hydraulics, indefatigable constructor of canals that he was?
Trained from their earliest years to the baldness of axiom and
formula, the youths who leave the Ecole have lost the sense of
elegance and ornament; a column seems to them useless; they return
to the point where art begins, and cling to the useful.
But all this is nothing in comparison to the real malady which is
undermining me. I feel an awful transformation going on within me;
I am conscious that my powers and my faculties, formerly
unnaturally taxed, are giving way. I am letting the prosaic
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac: my own folly, led me to reflect. I saw that I myself was the first
victim of my vengeance. My mother, who knew I was too proud, too
d'Uxelles, to conduct myself really ill, began to see the harm that
she had done me and was frightened by it. She was then fifty-two years
of age; she left Paris and went to live at Uxelles. There she expiates
her wrong-doing by a life of devotion and expresses the utmost
affection for me. After her departure I was face to face, alone, with
Monsieur de Maufrigneuse. Oh! my friend, you men can never know what
an old man of gallantry can be. What a home is that of a man
accustomed to the adulation of women of the world, when he finds
neither incense nor censer in his own house! dead to all! and yet,
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Illustrious Gaudissart by Honore de Balzac: called the 'Movement,' 'I've got ten Movements.' Now don't you see?"
"That's all right. Are you going into politics? If you do you'll get
into Saint-Pelagie, and I shall have to trot down there after you. Oh!
if one only knew what one puts one's foot into when we love a man, on
my word of honor we would let you alone to take care of yourselves,
you men! However, if you are going away to-morrow we won't talk of
disagreeable things,--that would be silly."
The coach stopped before a pretty house, newly built in the Rue
d'Artois, where Gaudissart and Jenny climbed to the fourth story. This
was the abode of Mademoiselle Jenny Courand, commonly reported to be
privately married to the illustrious Gaudissart, a rumor which that
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