| The first excerpt represents the past or something you must release, and is drawn from The Rape of Lucrece by William Shakespeare: 'Then, for thy husband and thy children's sake,
Tender my suit: bequeath not to their lot
The shame that from them no device can take,
The blemish that will never be forgot;
Worse than a slavish wipe, or birth-hour's blot:
For marks descried in men's nativity
Are nature's faults, not their own infamy.'
Here with a cockatrice' dead-killing eye
He rouseth up himself and makes a pause;
While she, the picture of pure piety,
Like a white hind under the grype's sharp claws,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Richard III by William Shakespeare: And in that shame still live my sorrow's rage!
BUCKINGHAM. Have done, have done.
QUEEN MARGARET. O princely Buckingham, I'll kiss thy
hand
In sign of league and amity with thee.
Now fair befall thee and thy noble house!
Thy garments are not spotted with our blood,
Nor thou within the compass of my curse.
BUCKINGHAM. Nor no one here; for curses never pass
The lips of those that breathe them in the air.
QUEEN MARGARET. I will not think but they ascend the sky
Richard III |
The third excerpt represents the future or something you must embrace, and is drawn from The White Moll by Frank L. Packard: assistance, he might also be very much more interested in the
diamond necklace that was involved, and not be entirely averse to
Danglar's plan of using the Sparrow as a pawn, who, in that case,
would make a very convenient scapegoat for the Adventurer - instead
of Danglar! She dared not trust the man. She could not absolve
her conscience by staking another's life on a hazard, on the
supposition that the Adventurer might do this or that. It was not
good enough.
She was quick in her movements now. Subconsciously her decision
had been made. There was only one way - only one. She gathered up
the jewels from the bed and thrust them, with the Adventurer's torn
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