| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master of the World by Jules Verne: "No; I left after an hour's watching, and rode straight for the
telegraph station at Toledo. I reached there late at night and sent
immediate word to Washington."
"That was night before last. Did you return yesterday to Black Rock
Creek?"
"Yes."
"The submarine was still there?"
"In the same spot."
"And the two men?"
"The same two men. I judge that some accident had happened, and they
came to this lonely spot to repair it."
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Henry VI by William Shakespeare: Unto the poor King Reignier, whose large style
Agrees not with the leanness of his purse.
SALISBURY.
Now, by the death of Him that died for all,
These counties were the keys of Normandy!--
But wherefore weeps Warwick, my valiant son?
WARWICK.
For grief that they are past recovery;
For, were there hope to conquer them again,
My sword should shed hot blood, mine eyes no tears.
Anjou and Maine! myself did win them both,
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Old Maid by Honore de Balzac: such little quarrels, which served as cathartics to relieve her
bitterness. The soul has its needs, and, like the body, its
gymnastics. These uncertainties of temper were accepted by Josette and
Jacquelin as changes in the weather are accepted by husbandmen. Those
worthy souls remark, "It is fine to-day," or "It rains," without
arraigning the heavens. And so when they met in the morning the
servants would wonder in what humor mademoiselle would get up, just as
a farmer wonders about the mists at dawn.
Mademoiselle Cormon had ended, as it was natural she should end, in
contemplating herself only in the infinite pettinesses of her life.
Herself and God, her confessor and the weekly wash, her preserves and
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moran of the Lady Letty by Frank Norris: in San Francisco as the "dancing set" were present to give the
affair the necessary entrain. Even Jerry Haight, who belonged
more distinctly to the "country-club set," and who had spent the
early part of that winter shooting elk in Oregon, was among the
ranks of the "rovers," who grouped themselves about the draughty
doorways, and endeavored to appear unconscious each time Ridgeway
gave the signal for a "break."
The figures had gone round the hall once. The "first set" was out
again, and as Ridgeway guided Miss Herrick by the "rovers" she
looked over the array of shirt-fronts, searching for Jerry Haight.
"Do you see Mr. Haight?" she asked of Ridgeway. "I wanted to
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