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Today's Stichomancy for Fidel Castro

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Passionate Pilgrim by William Shakespeare:

And as goods lost are seld or never found, As vaded gloss no rubbing will refresh, As flowers dead lie wither'd on the ground, As broken glass no cement can redress, So beauty blemish'd once's for ever lost, In spite of physic, painting, pain and cost.

XIV. Good night, good rest. Ah, neither be my share: She bade good night that kept my rest away; And daff'd me to a cabin hang'd with care, To descant on the doubts of my decay.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Tramp Abroad by Mark Twain:

CHAPTER IV Student Life [The Laborious Beer King]

The summer semester was in full tide; consequently the most frequent figure in and about Heidelberg was the student. Most of the students were Germans, of course, but the representatives of foreign lands were very numerous. They hailed from every corner of the globe--for instruction is cheap in Heidelberg, and so is living, too. The Anglo-American Club, composed of British and American students, had twenty-five

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Oakdale Affair by Edgar Rice Burroughs:

the wood to the south of town. If we do meet anyone to-night we'll stop them and inquire the way to Oakdale --that'll throw them off the track."

The others acquiesced in his suggestion; but there were queries about food to be answered. It seemed that all were hungry and that the bear was ravenous.

"What does he eat?" Bridge asked of Giova.

"Mos' anything," replied the girl. "He like garbage fine. Often I take him into towns late, ver' late at night an' he eat swill. I do that to-night. Beppo, he got to be fed or he eat Giova. I go feed Beppo, you go get food


The Oakdale Affair
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chouans by Honore de Balzac:

she was not conscious. In this she resembled others of her time who were led away by an enthusiasm which was often productive of noble deeds. Like her, many women played heroic or blameworthy parts in the fierce struggle. The royalist cause had no emissaries so devoted and so active as these women; but none of the heroines on that side paid for mistaken devotion or for actions forbidden to their sex, with a greater expiation than did this lady when, seated on that wayside rock, she was forced to admire the young leader's noble disdain and loyalty to principle. Insensibly she dropped into reverie. Bitter memories made her long for the innocence of her early years, and regret that she had escaped being a victim of the Revolution whose


The Chouans