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Today's Stichomancy for Fiona Apple

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lay Morals by Robert Louis Stevenson:

they are strangely at peace, they know all he has to say; ring the old bell as you choose, it is still the old bell and it cannot startle their composure. And so with this byword about the letter and the spirit. It is quite true, no doubt; but it has no meaning in the world to any man of us. Alas! it has just this meaning, and neither more nor less: that while the spirit is true, the letter is eternally false.

The shadow of a great oak lies abroad upon the ground at noon, perfect, clear, and stable like the earth. But let a man set himself to mark out the boundary with cords and pegs, and were he never so nimble and never so exact, what with the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In a German Pension by Katherine Mansfield:

has charged me extra for a miserable little glass of milk I drink in bed at night to prevent insomnia. Naturally, I did not pay. But the tragedy of the story is this: I cannot expect the milk to produce somnolence any longer; my peaceful attitude of mind towards it is completely destroyed. I know I shall throw myself into a fever in attempting to plumb this want of generosity in so wealthy a man as the manager of a pension. Think of me to-night."--he ground the empty bag under his heel--"think that the worst is happening to me as your head drops asleep on your pillow."

Two ladies came on the front steps of the pension and stood, arm in arm, looking over the garden. The one, old and scraggy, dressed almost entirely in black bead trimming and a satin reticule; the other, young and thin, in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Atheist's Mass by Honore de Balzac:

asked him to dine with him that day, not at his own house, but at a restaurant. At dessert Bianchon skilfully contrived to talk of the mass, speaking of it as mummery and a farce.

"A farce," said Desplein, "which has cost Christendom more blood than all Napoleon's battles and all Broussais' leeches. The mass is a papal invention, not older than the sixth century, and based on the Hoc est corpus. What floods of blood were shed to establish the Fete-Dieu, the Festival of Corpus Christi--the institution by which Rome established her triumph in the question of the Real Presence, a schism which rent the Church during three centuries! The wars of the Count of Toulouse against the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aesop's Fables by Aesop:

father, but his luck never seemed to change. He prayed and he prayed, but still he remained as unlucky as ever. One day in the greatest rage he went to the Wooden God, and with one blow swept it down from its pedestal. The idol broke in two, and what did he see? An immense number of coins flying all over the place.

The Fisher

A Fisher once took his bagpipes to the bank of a river, and played upon them with the hope of making the fish rise; but never a one put his nose out of the water. So he cast his net into the river and soon drew it forth filled with fish. Then he took his bagpipes again, and, as he played, the fish leapt up in the net.


Aesop's Fables