Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Francis Ford Coppola

The first excerpt represents the past or something you must release, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

push. She was going, the engine doing about half the work, the man the rest.

Clifford glanced round, yellow with anger.

'Will you get off there!'

The keeper dropped his hold at once, and Clifford added: 'How shall I know what she is doing!'

The man put his gun down and began to pull on his coat. He'd done.

The chair began slowly to run backwards.

'Clifford, your brake!' cried Connie.

She, Mellors, and Clifford moved at once, Connie and the keeper jostling lightly. The chair stood. There was a moment of dead silence.


Lady Chatterley's Lover
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Aesop's Fables by Aesop:

but all his joy was turned to grief when he found that his neighbour had two rooms full of the precious metal. Then came the turn of the Envious man, who could not bear to think that his neighbour had any joy at all. So he prayed that he might have one of his own eyes put out, by which means his companion would become totally blind.

Vices are their own punishment.

The Crow and the Pitcher

A Crow, half-dead with thirst, came upon a Pitcher which had once been full of water; but when the Crow put its beak into the mouth of the Pitcher he found that only very little water was left


Aesop's Fables
The third excerpt represents the future or something you must embrace, and is drawn from The Hated Son by Honore de Balzac:

the broad palm of his father. As the duke, who had signed to the lieutenant of his company to come nearer, saying to him, "I am fortunate, Baron d'Artagnon, in being able to repair my loss; behold my son!" he felt an icy hand in his. Turning round, he looked at the new Duc de Nivron, and, thinking him dead, he uttered a cry of horror which appalled the assemblage.

Beauvouloir rushed to the platform, took the young man in his arms, and carried him away, saying to his master, "You have killed him by not preparing him for this ceremony."

"He can never have a child if he is like that!" cried the duke, following Beauvouloir into the seignorial chamber, where the doctor