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Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the past or something you must release, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

of water and, perhaps, of food. If the tower was the deserted relic of a bygone age she would scarcely find food there, but there was still a chance that there might be water. If it was inhabited, then must her approach be cautious, for only enemies might be expected to abide in so far distant a land. Tara of Helium knew that she must be far from the twin cities of her grandfather's empire, but had she guessed within even a thousand haads of the reality, she had been stunned by realization of the utter hopelessness of her state.

Keeping the craft low, for the buoyancy tanks were still intact, the girl skimmed the ground until the gently-moving wind had


The Chessmen of Mars
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Europeans by Henry James:

the ensuing twenty-four hours, in the course of which the two foreign visitors were discussed and analyzed with a great deal of earnestness and subtlety. The discussion went forward, as I say, in the family circle; but that circle on the evening following Madame M; auunster's return to town, as on many other occasions, included Robert Acton and his pretty sister. If you had been present, it would probably not have seemed to you that the advent of these brilliant strangers was treated as an exhilarating occurrence, a pleasure the more in this tranquil household, a prospective source of entertainment. This was not Mr. Wentworth's way of treating any human occurrence.

The third excerpt represents the future or something you must embrace, and is drawn from The Snow Image by Nathaniel Hawthorne:

little snow-image, which Peony and I have been making. Peony will tell you so, as well as I."

"Yes, mamma," asseverated Peony, with much gravity in his crimson little phiz; "this is 'ittle snow-child. Is not she a nice one? But, mamma, her hand is, oh, so very cold!"

While mamma still hesitated what to think and what to do, the street-gate was thrown open, and the father of Violet and Peony appeared, wrapped in a pilot-cloth sack, with a fur cap drawn down over his ears, and the thickest of gloves upon his hands. Mr. Lindsey was a middle-aged man, with a weary and yet a happy look in his wind-flushed and frost-pinched face, as if he had


The Snow Image