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Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eve and David by Honore de Balzac:

bills, he was obliged to send them for collection to his correspondents in Angouleme--to Cointet Brothers, that is to say. Hence, likewise, a certain initial loss for Lucien in exchange on Angouleme, taking the practical shape of an abatement of so much per cent over and above the discount. In this way Sechard's bills had passed into circulation in the bank. You would not believe how greatly the quality of banker, united with the august title of creditor, changes the debtor's position. For instance, when a bill has been passed through the bank (please note that expression), and transferred from the money market in Paris to the financial world of Angouleme, if that bill is protested, then the bankers in Angouleme must draw up a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

little interruption occasioned by his entrance and welcome, the narrative was again continued, precisely as if he had not been there at all, and was told inclusively to him, as to somebody who knew nothing about the matter.

'"Ay," I said, as I catched sight o' en through the brimbles, "that's the lad, for I d' know en by his grand-father's walk; "for 'a stapped out like poor father for all the world. Still there was a touch o' the frisky that set me wondering. 'A got closer, and I said, "That's the lad, for I d' know en by his carrying a black case like a travelling man." Still, a road is common to all the world, and there be more travelling men than one. But I kept


A Pair of Blue Eyes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Cruise of the Jasper B. by Don Marquis:

left arm with his cane as a bayonet, cut him harmlessly over the head with his cane as a saber, tossed him a dollar, and left the building humming:

"Oh, the Beau Sabreur of the Grande Armee Was the Captain Tarjeanterre!"

It is thus, with a single twitch of her playful fingers, that Fate will sometimes pluck from a man the mask that has obscured his real identity for many years. It is thus that Destiny will suddenly draw a bright blade from a rusty scabbard!

CHAPTER II

THE ROOM OF ILLUSION

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

tenfold force the charm of the peculiar, promising sensation I had formed the habit to seek near her. I thought with sudden dismay that this was the end of it; that after one more day I would be no longer able to come into this verandah, sit on this chair, and taste perversely the flavour of contempt in her indolent poses, drink in the provocation of her scornful looks, and listen to the curt, insolent remarks uttered in that harsh and seductive voice. As if my innermost nature had been altered by the action of some moral poison, I felt an abject dread of going to sea.

I had to exercise a sudden self-control, as one puts on a brake, to prevent myself jumping up to stride about, shout, gesticulate, make


'Twixt Land & Sea