| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: voluptuousness, which a man runs after for the remainder of his life.
A single kiss had been enough. Never had /rendezvous/ been spent in a
manner more decorous or chaste, or, perhaps, more coldly, in a spot of
which the surroundings were more gruesome, in presence of a more
hideous divinity; for the mother had remained in Henri's imagination
like some infernal, cowering thing, cadaverous, monstrous, savagely
ferocious, which the imagination of poets and painters had not yet
conceived. In effect, no /rendezvous/ had ever irritated his senses
more, revealed more audacious pleasures, or better aroused love from
its centre to shed itself round him like an atmosphere. There was
something sombre, mysterious, sweet, tender, constrained, and
 The Girl with the Golden Eyes |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tanach: Joshua 21: 7 The children of Merari according to their families had out of the tribe of Reuben, and out of the tribe of Gad, and out of the tribe of Zebulun, twelve cities.
Joshua 21: 8 And the children of Israel gave by lot unto the Levites these cities with the open land about them, as the LORD commanded by the hand of Moses.
Joshua 21: 9 And they gave out of the tribe of the children of Judah, and out of the tribe of the children of Simeon, these cities which are here mentioned by name.
Joshua 21: 10 And they were for the children of Aaron, of the families of the Kohathites, who were of the children of Levi; for theirs was the first lot.
Joshua 21: 11 And they gave them Kiriath-arba, which Arba was the father of Anak--the same is Hebron--in the hill-country of Judah, with the open land round about it.
Joshua 21: 12 But the fields of the city, and the villages thereof, gave they to Caleb the son of Jephunneh for his possession.
Joshua 21: 13 And unto the children of Aaron the priest they gave Hebron with the open land about it, the city of refuge for the manslayer, and Libnah with the open land about it;
Joshua 21: 14 and Jattir with the open land about it, and Eshtemoa with the open land about it;
Joshua 21: 15 and Holon with the open land about it, and Debir with the open land about it;
Joshua 21: 16 and Ain with the open land about it, and Juttah with the open land about it, and Beth-shemesh with the open land about it; nine cities out of those two tribes.
Joshua 21: 17 And out of the tribe of Benjamin, Gibeon with the open land about it, Geba with the open land about it;
 The Tanach |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Z. Marcas by Honore de Balzac: Marcas, disgusted by men and things, worn out by five years of
fighting, regarded as a free lance rather than as a great leader,
crushed by the necessity of earning his daily bread, which hindered
him from gaining ground, in despair at the influence exerted by money
over mind, and given over to dire poverty, buried himself in a garret,
to make thirty sous a day, the sum strictly answering to his needs.
Meditation had leveled a desert all round him. He read the papers to
be informed of what was going on. Pozzo di Borgo had once lived like
this for some time.
Marcas, no doubt, was planning a serious attack, accustoming himself
to dissimulation, and punishing himself for his blunders by
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Garden Party by Katherine Mansfield: of lavender, put his thumb and forefinger to his nose and snuffed up the
smell. When Laura saw that gesture she forgot all about the karakas in her
wonder at him caring for things like that--caring for the smell of
lavender. How many men that she knew would have done such a thing? Oh,
how extraordinarily nice workmen were, she thought. Why couldn't she have
workmen for her friends rather than the silly boys she danced with and who
came to Sunday night supper? She would get on much better with men like
these.
It's all the fault, she decided, as the tall fellow drew something on the
back of an envelope, something that was to be looped up or left to hang, of
these absurd class distinctions. Well, for her part, she didn't feel them.
|