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Today's Stichomancy for Franz Kafka

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

"No; I have come to ask whether I may sit beside your fire for a while."

"Certainly, certainly!" said Peter, eyeing the stranger's dress carefully, still holding his gun, but with the hand off the lock. "I'm confoundedly glad of any company. It's a beastly night for anyone to be out alone. Wonder you find your way. Sit down! sit down!" Peter looked intently at the stranger; then he put his gun down at his side.

The stranger sat down on the opposite side of the fire. His complexion was dark; his arms and feet were bronzed; but his aquiline features, and the domed forehead, were not of any South African race.

"One of the Soudanese Rhodes brought with him from the north, I suppose?" said Peter, still eyeing him curiously.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

toward the surface. Soon the light from without increased and we came to a stop.

Xodar entered the cabin with his men.

"Come," he said, and we followed him through the hatchway which had been opened by one of the seamen.

We found ourselves in a small subterranean vault, in the centre of which was the pool in which lay our submarine, floating as we had first seen her with only her black back showing.

Around the edge of the pool was a level platform, and then the walls of the cave rose perpendicularly for a few feet to arch toward the centre of the low roof. The walls


The Gods of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Polly of the Circus by Margaret Mayo:

"Great Barnum and Bailey!" Polly exclaimed, looking at him as though he were the very last thing in the world she had ever expected to see. "Are you a skypilot?"

"That's what he am, chile." Mandy slipped the words in slyly, for she knew that they were against the pastor's wishes, but she was unable to restrain her mischievous impulse to sow the seeds of curiosity that would soon bear fruit in the inquisitive mind of the little invalid.

"Will you get onto me a-landin' into a mix-up like this?" She continued to study the uncomfortable man at her side. "I never thought I'd be a-talkin'to one of you guys. What's your name?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

To a discordant melody;

While, like a rapid ghastly river,

Through the pale door,

A hideous throng rush out forever,

And laugh--but smile no more.

I well remember that suggestions arising from this ballad, led us into a train of thought wherein there became manifest an opinion of Usher's which I mention not so much on account of its novelty (for other men* have thought thus,) as on account of the pertinacity with which he maintained it. This opinion, in its general form, was that of the sentience of all vegetable things.


The Fall of the House of Usher