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Today's Stichomancy for Frederick II

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Water-Babies by Charles Kingsley:

rolled over, he would have rolled right into the old woman's garden, and frightened her out of her wits.

Then, when he had found a dark narrow crack, full of green-stalked fern, such as hangs in the basket in the drawing-room, and had crawled down through it, with knees and elbows, as he would down a chimney, there was another grass slope, and another step, and so on, till - oh, dear me! I wish it was all over; and so did he. And yet he thought he could throw a stone into the old woman's garden.

At last he came to a bank of beautiful shrubs; white-beam with its great silver-backed leaves, and mountain-ash, and oak; and below

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Unseen World and Other Essays by John Fiske:

only by some unusual catastrophe, while for the origination of new species something called an act of "special creation" was necessary; and as to the nature of such extraordinary events there was endless room for guesswork; but the discovery of natural selection was the discovery of a process, going on perpetually under our very eyes, which must inevitably of itself extinguish some species and bring new ones into being. In these and countless other ways we have learned that all the rich variety of nature is pervaded by unity of action, such as we might expect to find if nature is the manifestation of an infinite God who is without variableness or shadow of turning,


The Unseen World and Other Essays
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Soul of a Bishop by H. G. Wells:

supposing it is damnable to repeat prayers and creeds you do not believe in, and administer sacraments you think superstition, nobody can be damned but yourself. On the other hand if you express doubts that are not yet perfectly digested--you experiment with the souls of others...."

(5)

The bishop found much to ponder in his old friend's counsels. They were discursive and many-fronted, and whenever he seemed to be penetrating or defeating the particular considerations under examination the others in the background had a way of appearing invincible. He had a strong persuasion that Likeman was wrong--

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grande Breteche by Honore de Balzac:

ruin; but this house, still standing, though being slowly destroyed by an avenging hand, contained a secret, an unrevealed thought. At the very least, it testified to a caprice. More than once in the evening I boarded the hedge, run wild, which surrounded the enclosure. I braved scratches, I got into this ownerless garden, this plot which was no longer public or private; I lingered there for hours gazing at the disorder. I would not, as the price of the story to which this strange scene no doubt was due, have asked a single question of any gossiping native. On that spot I wove delightful romances, and abandoned myself to little debauches of melancholy which enchanted me. If I had known the reason--perhaps quite commonplace--of this neglect, I should have


La Grande Breteche