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Today's Stichomancy for Friedrich Nietzsche

The first excerpt represents the past or something you must release, and is drawn from Maria, or the Wrongs of Woman by Mary Wollstonecraft:

unsubstantial sounds of whistling winds, or startled birds, modulated by a romantic fancy, which amuse while they affright; but such tones of misery as carry a dreadful certainty directly to the heart. What effect must they then have produced on one, true to the touch of sympathy, and tortured by maternal apprehension!

Her infant's image was continually floating on Maria's sight, and the first smile of intelligence remembered, as none but a mother, an unhappy mother, can conceive. She heard her half speaking half cooing, and felt the little twinkling fingers on her burning bosom--a bosom bursting with the nutriment for which this cherished child might now be pining in vain. From a stranger she could indeed

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fables by Robert Louis Stevenson:

IN the ancient days there went three men upon pilgrimage; one was a priest, and one was a virtuous person, and the third was an old rover with his axe.

As they went, the priest spoke about the grounds of faith.

"We find the proofs of our religion in the works of nature," said he, and beat his breast.

"That is true," said the virtuous person.

"The peacock has a scrannel voice," said the priest, "as has been laid down always in our books. How cheering!" he cried, in a voice like one that wept. "How comforting!"

"I require no such proofs," said the virtuous person.

The third excerpt represents the future or something you must embrace, and is drawn from In a German Pension by Katherine Mansfield:

has her cross. Isn't that true, my dear?"

Frau Brechenmacher saw her husband among his colleagues at the next table. He was drinking far too much, she knew--gesticulating wildly, the saliva spluttering out of his mouth as he talked.

"Yes," she assented, "that's true. Girls have a lot to learn."

Wedged in between these two fat old women, the Frau had no hope of being asked to dance. She watched the couples going round and round; she forgot her five babies and her man and felt almost like a girl again. The music sounded sad and sweet. Her roughened hands clasped and unclasped themselves in the folds of her skirt. While the music went on she was afraid to look anybody in the face, and she smiled with a little nervous