The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Letters by Robert Louis Stevenson: wrong; he dares not transmit my orders or translate my
censures. And with all this, honest, sober, industrious,
miserably smiling over the miserable issue of his own
unmanliness. - Paul - a German - cook and steward - a glutton
of work - a splendid fellow; drawbacks, three: (1) no cook;
(2) an inveterate bungler; a man with twenty thumbs,
continually falling in the dishes, throwing out the dinner,
preserving the garbage; (3) a dr-, well, don't let us say
that - but we daren't let him go to town, and he - poor, good
soul - is afraid to be let go. - Lafaele (Raphael), a strong,
dull, deprecatory man; splendid with an axe, if watched; the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plutarch's Lives by A. H. Clough: world was filled with groans and lamentations, this one island
for some days resounded with piping and harping, theaters
filling, and choruses playing. Every city sent an ox as its
contribution to the sacrifice, and the kings that accompanied
Antony competed who should make the most magnificent feasts and
the greatest presents; and men began to ask themselves, what
would be done to celebrate the victory, when they went to such
an expense of festivity at the opening of the war.
This over, he gave Priene to his players for a habitation, and
set sail for Athens, where fresh sports and play-acting employed
him. Cleopatra, jealous of the honors Octavia had received at
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Woodlanders by Thomas Hardy: cried.
"Who--Edgar?" said Melbury, abruptly. "Matter? Nothing. What, my
dear, and have you got home safe? Why, you are better already! But
you ought not to be out in the air like this."
"But he has been thrown off his horse!"
"I know; I know. I saw it. He got up again, and walked off as
well as ever. A fall on the leaves didn't hurt a spry fellow like
him. He did not come this way," he added, significantly. "I
suppose he went to look for his horse. I tried to find him, but
could not. But after seeing him go away under the trees I found
the horse, and have led it home for safety. So he must walk.
 The Woodlanders |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: between the Bayou Teche and New Orleans? Sylves' had brooded all
summer, and now that September had come, he was determined to go.
Louisette, the orphan, the girl-lover, whom everyone in Franklin
knew would some day be Ma'am Mouton's daughter-in-law, wept and
pleaded in vain. Sylves' kissed her quivering lips.
"Ma chere," he would say, "t'ink, I will bring you one fine
diamon' ring, nex' spring, when de bayou overflows again."
Louisette would fain be content with this promise. As for Ma'am
Mouton, she seemed to have grown ages older. Her Sylves' was
going from her; Sylves', whose trips to New Orleans had been a
yearly source of heart-break, was going far away for months to
 The Goodness of St. Rocque and Other Stories |