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Today's Stichomancy for Friedrich Nietzsche

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

And let this sight your former joys revive.

AMADINE. Believe me, shepherd, so it doth no less.

MUCEDORUS. Long may they last unto your heart's content. But tell me, Lady, what is become of him, Segasto called, what is become of him?

AMADINE. I know not, I; that know the powers divine, But God grant this: that sweet Segasto live.

MUCEDORUS.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rinkitink In Oz by L. Frank Baum:

unless, indeed, King Gos wickedly destroyed his beloved parents, in which case Inga would become the King of Pingaree and it would be his duty to go to his people and rule over them.

It was while the last of the boats were preparing to sail for Pingaree that Nikobob, who had been of great service in getting them ready, came to Inga in a thoughtful mood and said:

"Your Highness, my wife and my daughter Zella have been urging me to leave Regos and settle down in your island, in a new home. From what your people have told


Rinkitink In Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Rape of Lucrece by William Shakespeare:

Not that devour'd, but that which doth devour, Is worthy blame. O, let it not be hild Poor women's faults, that they are so fulfill'd With men's abuses! those proud lords, to blame, Make weak-made women tenants to their shame.

The precedent whereof in Lucrece view, Assail'd by night with circumstances strong Of present death, and shame that might ensue By that her death, to do her husband wrong: Such danger to resistance did belong; The dying fear through all her body spread;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adam Bede by George Eliot:

school i' thy best coat?"

"No, Mother," said Adam, quietly. "I'm going to the Hall Farm, but mayhap I may go to the school after, so thee mustna wonder if I'm a bit late. Seth 'ull be at home in half an hour--he's only gone to the village; so thee wutna mind."

"Eh, an' what's thee got thy best cloose on for to go to th' Hall Farm? The Poyser folks see'd thee in 'em yesterday, I warrand. What dost mean by turnin' worki'day into Sunday a-that'n? It's poor keepin' company wi' folks as donna like to see thee i' thy workin' jacket."

"Good-bye, mother, I can't stay," said Adam, putting on his hat


Adam Bede