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Today's Stichomancy for Friedrich Nietzsche

The first excerpt represents the past or something you must release, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

arts."

"I admire all that is beautiful," returned the young lady.

"What do you think of the count?" inquired Debray; "he is not much amiss, according to my ideas of good looks."

"The count," repeated Eugenie, as though it had not occurred to her to observe him sooner; "the count? -- oh, he is so dreadfully pale."

"I quite agree with you," said Morcerf; "and the secret of that very pallor is what we want to find out. The Countess G---- insists upon it that he is a vampire."

"Then the Countess G---- has returned to Paris, has she?"


The Count of Monte Cristo
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Master and Man by Leo Tolstoy:

tore off, started to feel about in the snow, going first to one side and then to the other. Three or four times he was completely lost to sight. At last he returned and took the reins from Vasili Andreevich's hand.

'We must go to the right,' he said sternly and peremptorily, as he turned the horse.

'Well, if it's to the right, go to the right,' said Vasili Andreevich, yielding up the reins to Nikita and thrusting his freezing hands into his sleeves.

Nikita did not reply.

'Now then, friend, stir yourself!' he shouted to the horse, but


Master and Man
The third excerpt represents the future or something you must embrace, and is drawn from Main Street by Sinclair Lewis:

careless happiness of her first home.

In the pride of being a housewife she loved every detail-- the brocade armchair with the weak back, even the brass water- cock on the hot-water reservoir, when she had become familiar with it by trying to scour it to brilliance.

She found a maid--plump radiant Bea Sorenson from Scandia Crossing. Bea was droll in her attempt to be at once a respectful servant and a bosom friend. They laughed together over the fact that the stove did not draw, over the slipperiness of fish in the pan.

Like a child playing Grandma in a trailing skirt, Carol