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Today's Stichomancy for Gary Cooper

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Sawyer Abroad by Mark Twain:

dry again.

We went aft to find some breakfast, and the first thing we noticed was that there was a dim light burning in a compass back there under a hood. Then Tom was disturbed. He says:

"You know what that means, easy enough. It means that somebody has got to stay on watch and steer this thing the same as he would a ship, or she'll wander around and go wherever the wind wants her to."

"Well," I says, "what's she been doing since --

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Water-Babies by Charles Kingsley:

And there, in a little cot, lashed tight under the bulwark, lay a baby fast asleep; the very same baby, Tom saw at once, which he had seen in the singing lady's arms.

He went up to it, and wanted to wake it; but behold, from under the cot out jumped a little black and tan terrier dog, and began barking and snapping at Tom, and would not let him touch the cot.

Tom knew the dog's teeth could not hurt him: but at least it could shove him away, and did; and he and the dog fought and struggled, for he wanted to help the baby, and did not want to throw the poor dog overboard: but as they were struggling there came a tall green sea, and walked in over the weather side of the ship, and swept

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart:

I am one to think quickly, but with precicion. So I said:

"You can't drive, can you?"

"I do drive, dear Little--I beg your pardon. And I think, with a lesson now, I could get along. Now see here, Twenty-five dollars while you are asleep and therfore not gilty if I take your car from wherever you keep it. I'll leave it at the station and you'll find it there in the morning."

Is it surprizing that I agreed and that I took the filthy lucre? No. For I knew then that he would never get to the station, and the reward of two hundred, plus the Twenty-five, was already mine mentaly.

He learned to drive the Arab in but a short time, and I took him to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

weave what he has seen into bewildering fiction; and that he cares no more for what you call truth, than you for a gingerbread dragoon.

I am reminded, as I write, that the child is very inquiring as to the precise truth of stories. But indeed this is a very different matter, and one bound up with the subject of play, and the precise amount of playfulness, or playability, to be looked for in the world. Many such burning questions must arise in the course of nursery education. Among the fauna of this planet, which already embraces the pretty soldier and the terrifying Irish beggarman, is, or is