| The first excerpt represents the past or something you must release, and is drawn from Woman and Labour by Olive Schreiner: jewels and fine clothing, brought at the cost of infinite human labour from
the ends of the earth, nourished on delicate victuals, prepared by others'
hands, she sought now only with amusement to pass away a life that no
longer offered her the excitement and joy of active productive exertion.
She frequented theatres or baths, or reclined on her sofa, or drove in her
chariot; and like more modern counterparts, painted herself, wore patches,
affected an artistic walk, and a handshake with the elbow raised and the
fingers hanging down. Her children were reared by dependents; and in the
intellectual labour and government of her age she took small part, and was
fit to take none. There were not wanting writers and thinkers who saw
clearly the end to which the enervation of the female was tending, and who
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Treasure Island by Robert Louis Stevenson:
Treasure Island |
The third excerpt represents the future or something you must embrace, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac: mother's surveillance did not allow of their holding any conversation
with their partners beyond Yes and No. Also, the law of the old sign
of the Cat and Racket commanded that they should be home by eleven
o'clock, the hour when balls and fetes begin to be lively. Thus their
pleasures, which seemed to conform very fairly to their father's
position, were often made insipid by circumstances which were part of
the family habits and principles.
As to their usual life, one remark will sufficiently paint it. Madame
Guillaume required her daughters to be dressed very early in the
morning, to come down every day at the same hour, and she ordered
their employments with monastic regularity. Augustine, however, had
|
