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Today's Stichomancy for George Armstrong Custer

The first excerpt represents the past or something you must release, and is drawn from A Woman of No Importance by Oscar Wilde:

not know you. You seem surprised. What welcome would you get from the girl whose lips you tried to soil, from the boy whose life you have shamed, from the mother whose dishonour comes from you?

LORD ILLINGWORTH. You have grown hard, Rachel.

MRS. ARBUTHNOT. I was too weak once. It is well for me that I have changed.

LORD ILLINGWORTH. I was very young at the time. We men know life too early.

MRS. ARBUTHNOT. And we women know life too late. That is the difference between men and women. [A pause.]

LORD ILLINGWORTH. Rachel, I want my son. My money may be of no

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dreams by Olive Schreiner:

And he said, "It is before you."

And she said, "I see nothing before me but a dark flowing river, and a bank steep and high, and cuttings here and there with heavy sand in them."

And he said, "And beyond that?"

She said, "I see nothing, but sometimes, when I shade my eyes with my hand, I think I see on the further bank trees and hills, and the sun shining on them!"

He said, "That is the Land of Freedom."

She said, "How am I to get there?"

He said, "There is one way, and one only. Down the banks of Labour, through the water of Suffering. There is no other."

The third excerpt represents the future or something you must embrace, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

stepping from one cliff to the next; they had seen him walking in the high forest, and his head and shoulders were above the trees.

This Kalamake was a strange man to see. He was come of the best blood in Molokai and Maui, of a pure descent; and yet he was more white to look upon than any foreigner: his hair the colour of dry grass, and his eyes red and very blind, so that "Blind as Kalamake, that can see across to-morrow," was a byword in the islands.

Of all these doings of his father-in-law, Keola knew a little by the common repute, a little more he suspected, and the rest he ignored. But there was one thing troubled him. Kalamake was a man that spared for nothing, whether to eat or to drink, or to wear;