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Today's Stichomancy for George Armstrong Custer

The first excerpt represents the past or something you must release, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

Finally he lurched forward and fell groaning to the floor.

The women screamed in disgust and drew back their skirts.

"Come ahn," cried one, starting up angrily, "let's get out of here."

The woman of brilliance and audacity stayed behind, taking up the bills and stuffing them into a deep, irregularly-shaped pocket. A guttural snore from the recumbent man caused her to turn and look down at him.

She laughed. "What a damn fool," she said, and went.

The smoke from the lamps settled heavily down in the little compartment, obscuring the way out. The smell of oil, stifling in its intensity, pervaded the air. The wine from an overturned glass


Maggie: A Girl of the Streets
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Master Key by L. Frank Baum:

"My duty I owe to myself and to my family," interrupted Rob. "I have never cultivated science, more than to fool with some simple electrical experiments, so I owe nothing to either science or the Demon of Electricity, so far as I can see."

"But consider," remonstrated the Demon, rising to his feet and speaking in a pleading voice, "consider the years that must elapse before any one else is likely to strike the Master Key! And, in the meanwhile, consider my helpless position, cut off from all interest in the world while I have such wonderful inventions on my hands for the benefit of mankind. If you have no love for science or for the advancement of civilization, DO have some consideration for your


The Master Key
The third excerpt represents the future or something you must embrace, and is drawn from O Pioneers! by Willa Cather:

big house, you will find that it is curiously unfinished and uneven in comfort. One room is papered, carpeted, over-furnished; the next is almost bare. The pleasantest rooms in the house are the kitchen--where Alexandra's three young Swedish girls chatter and cook and pickle and preserve all summer long--and the sitting-room, in which Alexandra has brought together the old homely furniture that the Bergsons used in their first log house, the fam- ily portraits, and the few things her mother


O Pioneers!