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Today's Stichomancy for George Orwell

The first excerpt represents the past or something you must release, and is drawn from The Memorabilia by Xenophon:

an excuse ready to hand.

I see you are making fun of me (Glaucon answered).

Soc. Well, but here is a point, I am sure, which you have not neglected. No, you will have thoroughly gone into it, and you can tell us. For how long a time could the corn supplies from the country districts support the city? how much is requisite for a single year, so that the city may not run short of this prime necessary, before you are well aware; but on the contrary you with your full knowledge will be in a position to give advice on so vital a question, to the aid or may be the salvation of your country?

It is a colossal business this (Glaucon answered), if I am to be


The Memorabilia
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Herland by Charlotte Gilman:

later--through education.

Then things began to hum.

As I learned more and more to appreciate what these women had accomplished, the less proud I was of what we, with all our manhood, had done.

You see, they had had no wars. They had had no kings, and no priests, and no aristocracies. They were sisters, and as they grew, they grew together--not by competition, but by united action.

We tried to put in a good word for competition, and they were keenly interested. Indeed, we soon found from their earnest questions of us that they were prepared to believe our world must


Herland
The third excerpt represents the future or something you must embrace, and is drawn from Dracula by Bram Stoker:

is everything in such work, that you must be able to put down exactly almost every word spoken, even if you had to refine some of it afterwards. Here was a rare interview. I shall try to record it verbatim.

It was half-past two o'clock when the knock came. I took my courage a deux mains and waited. In a few minutes Mary opened the door, and announced "Dr. Van Helsing".

I rose and bowed, and he came towards me, a man of medium weight, strongly built, with his shoulders set back over a broad, deep chest and a neck well balanced on the trunk as the head is on the neck. The poise of the head strikes me at once as indicative of thought and power.


Dracula