| The first excerpt represents the past or something you must release, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe: bridge, the stream being too strong and the bottom moorish and
unsound; nor, for the same reason, is the anchorage computed the
best in the world; but there are good roads farther down.
They pass over here in boats into the fen country, and over the
famous washes into Lincolnshire, but the passage is very dangerous
and uneasy, and where passengers often miscarry and are lost; but
then it is usually on their venturing at improper times, and
without the guides, which if they would be persuaded not to do,
they would very rarely fail of going or coming safe.
From Lynn I bent my course to Downham, where is an ugly wooden
bridge over the Ouse; from whence we passed the fen country to
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Wuthering Heights by Emily Bronte: you were gone.'
'Hindley does not often free us from his accursed presence,'
observed the boy. 'I'll not work any more to-day: I'll stay with
you.'
'Oh, but Joseph will tell,' she suggested; 'you'd better go!'
'Joseph is loading lime on the further side of Penistone Crags; it
will take him till dark, and he'll never know.'
So, saying, he lounged to the fire, and sat down. Catherine
reflected an instant, with knitted brows - she found it needful to
smooth the way for an intrusion. 'Isabella and Edgar Linton talked
of calling this afternoon,' she said, at the conclusion of a
 Wuthering Heights |
The third excerpt represents the future or something you must embrace, and is drawn from Twice Told Tales by Nathaniel Hawthorne: weary man like me, shall see the sun go down, nevermore to rise
on a world of sin and sorrow!"
The aged Father sank back exhausted, and the surrounding elders
deemed, with good reason, that the hour was come when the new
heads of the village must enter on their patriarchal duties. In
their attention to Father Ephraim, their eyes were turned from
Martha Pierson, who grew paler and paler, unnoticed even by Adam
Colburn. He, indeed, had withdrawn his hand from hers, and folded
his arms with a sense of satisfied ambition. But paler and paler
grew Martha by his side, till, like a corpse in its burial
clothes, she sank down at the feet of her early lover; for, after
 Twice Told Tales |