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Today's Stichomancy for George Orwell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Letters from England by Elizabeth Davis Bancroft:

within the Abbey precincts. He took us first to the Percy Chapel to see the vault of the Percys. . . . From thence the Dean took us to the Jerusalem chamber where Henry IV died, then all over the Westminster school. We first went to the hall where the young men were eating their dinner. . . . We then went to the school-room, where every inch of the wall and benches is covered with names, some of them most illustrious, as Dryden's. There were two bunches of rods, which the Dean assured me were not mere symbols of power, but were daily used, as, indeed, the broken twigs scattered upon the floor plainly showed. Our ferules are thought rather barbarous, but a gentle touch from a slender twig not at all so. These young men

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from McTeague by Frank Norris:

engagement to Trina he had discontinued this habit. However, he still dropped into Frenna's one or two nights in the week. He spent a pleasant hour there, smoking his huge porcelain pipe and drinking his beer. He never joined any of the groups of piquet players around the tables. In fact, he hardly spoke to anyone but the bartender and Marcus.

For Frenna's was one of Marcus Schouler's haunts; a great deal of his time was spent there. He involved himself in fearful political and social discussions with Heise the harness-maker, and with one or two old German, habitues


McTeague
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

most incautiously. He came to the stone steps leading upward to the higher level. He ascended them and continued onward toward the well.

Nothing spurred his hurt memory to a recollection of past familiarity with his surroundings. He blundered on through the darkness as though he were traversing an open plain under the brilliance of a noonday sun, and suddenly there happened that which had to happen under the circumstances of his rash advance.

He reached the brink of the well, stepped outward into space, lunged forward, and shot downward into the inky


Tarzan and the Jewels of Opar