| The first excerpt represents the past or something you must release, and is drawn from The Heritage of the Desert by Zane Grey: have but one issue--the killing of Holderness. Mescal would soon be upon
Silvermane, far out on the White Sage trail, and this time there would be
no sand-strip to trap her. But Hare could not kill the rustler while he
was sleeping; and he could not awaken him without revealing to his men
the escape of the girl. Hare stood there on the bench, gazing down on
the blanketed Holderness. Why not kill him now, ending forever his
power, and trust to chance for the rest? No, no! Hare flung the
temptation from him. To ward off pursuit as long as possible, to aid
Mescal in every way to some safe hiding-place, and then to seek
Holderness--that was the forethought of a man who had learned to wait.
Under the dark projection of the upper cliff Hare felt his way to the
 The Heritage of the Desert |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson: had been doubly lost to him, by marriage and by death. The
world, with all its prying curiosity, usually misses the key to
the very incidents about which it asks most questions; and of
the many who gossiped or mourned concerning Emilia, none knew
the tragic complication which her death alone could have
solved. The breaking of Hope's engagement to Philip was
attributed to every cause but the true one. And when the storm
of the great Rebellion broke over the land, its vast calamity
absorbed all minor griefs.
XXIII.
REQUIESCAT.
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The third excerpt represents the future or something you must embrace, and is drawn from The Mountains by Stewart Edward White: in bank-shadowed pools. As our horses splashed
across we could glimpse the rainbow trout flashing
to cover. Where the watered hollows grew lush were
thickets full of birds, outposts of the aggressively
and cheerfully worldly in this pine-land of spiritual
detachment. Gorgeous bush-flowers, great of petal
as magnolias, with perfume that lay on the air like
a heavy drowsiness; long clear stretches of an ankle-
high shrub of vivid emerald, looking in the distance
like sloping meadows of a peculiar color-brilliance;
patches of smaller flowers where for the trifling space
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