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Today's Stichomancy for George Orwell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Poems by T. S. Eliot:

And the ariettes Of cracked cornets Inside my brain a dull tom-tom begins Absurdly hammering a prelude of its own, Capricious monotone That is at least one definite "false note." --Let us take the air, in a tobacco trance, Admire the monuments Discuss the late events, Correct our watches by the public clocks. Then sit for half an hour and drink our bocks.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Hero of Our Time by M.Y. Lermontov:

were left with me, Grigori Aleksandrovich. . . I drag them about everywhere I go. . . I thought I should find you in Georgia, but this is where it has pleased Heaven that we should meet. What's to be done with them?" . . .

"Whatever you like!" answered Pechorin. "Good-bye." . . .

"So you are off to Persia? . . . But when will you return?" Maksim Maksimych cried after him.

By this time the carriage was a long way off,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Wild by Jack London:

mere seeing or hearing. He perceived and determined and responded in the same instant. In point of fact the three actions of perceiving, determining, and responding were sequential; but so infinitesimal were the intervals of time between them that they appeared simultaneous. His muscles were surcharged with vitality, and snapped into play sharply, like steel springs. Life streamed through him in splendid flood, glad and rampant, until it seemed that it would burst him asunder in sheer ecstasy and pour forth generously over the world.

"Never was there such a dog," said John Thornton one day, as the partners watched Buck marching out of camp.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Peter Pan by James M. Barrie:

she might even swim, on tiptoe as it were, to within a yard of them, but then they saw her and dived, probably splashing her with their tails, not by accident, but intentionally.

They treated all the boys in the same way, except of course Peter, who chatted with them on Marooners' Rock by the hour, and sat on their tails when they got cheeky. He gave Wendy one of their combs.

The most haunting time at which to see them is at the turn of the moon, when they utter strange wailing cries; but the lagoon is dangerous for mortals then, and until the evening of which we have now to tell, Wendy had never seen the lagoon by moonlight,


Peter Pan