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Today's Stichomancy for George S. Patton

The first excerpt represents the past or something you must release, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

and the result is a facility in arranging any matters which are, as one may say, arrangeable. They obtain from one another, on the ground of reciprocity, all possible concessions by the application of the proverb, "Pass me the rhubarb, and I'll pass you the senna," which is put in practice in all professions, between ministers, soldiers, judges, business men; wherever, in short, enmity has not raised barriers too strong and high between the parties.

"I gain a pretty good fee out of this compromise," is a reason that needs no expression in words: it is visible in the gesture, the tone, the glance; and as attorneys and solicitors meet constantly on this ground, the matter, whatever it is, is arranged. The counterpoise of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Poems of William Blake by William Blake:

And says; Thou mother of my children, I have loved thee And I have given thee a crown that none can take away. But how this is sweet maid, I know not, and I cannot know I ponder, and I cannot ponder; yet I live and love.

The daughter of beauty wip'd her pitying tears with her white veil, And said, Alas! I knew not this, and therefore did I weep: That God would love a Worm I knew, and punish the evil foot That wilful bruis'd its helpless form: but that he cherish'd it With milk and oil I never knew, and therefore did I weep, And I complaind in the mild air, because I fade away. And lay me down in thy cold bed, and leave my shining lot.


Poems of William Blake
The third excerpt represents the future or something you must embrace, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

mistook him for me."

"Ah!" murmured Poirot to himself. "But it is an idea, that!"

"You think it is true?" I whispered.

"I do not say that. But it is truly an ingenious supposition."

"You read my wife's last words as an accusation"--Inglethorp was continuing--"they were, on the contrary, an appeal to me."

The Coroner reflected a moment, then he said:

"I believe, Mr. Inglethorp, that you yourself poured out the coffee, and took it to your wife that evening?"

"I poured it out, yes. But I did not take it to her. I meant to do so, but I was told that a friend was at the hall door, so I


The Mysterious Affair at Styles