| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Sentimental Journey by Laurence Sterne: shutting the door of conversation absolutely in his face - and
using him worse than a German."
The French officer might as well have said it all aloud: and if he
had, I should in course have put the bow I made him into French
too, and told him, "I was sensible of his attention, and return'd
him a thousand thanks for it."
There is not a secret so aiding to the progress of sociality, as to
get master of this SHORT HAND, and to be quick in rendering the
several turns of looks and limbs with all their inflections and
delineations, into plain words. For my own part, by long habitude,
I do it so mechanically, that, when I walk the streets of London, I
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In a German Pension by Katherine Mansfield: which entreated us to leave the road and walk through the field path--
without trampling down more of the grass than was necessary. Being
interpreted, it meant "single file", which was distressing for Elsa and
Fritz. Karl, like a happy child, gambolled ahead, and cut down as many
flowers as possible with the stick of his mother's parasol--followed the
three others--then myself--and the lovers in the rear. And above the
conversation of the advance party I had the privilege of hearing these
delicious whispers.
Fritz: "Do you love me?" Elsa: "Nu--yes." Fritz passionately: "But how
much?" To which Elsa never replied--except with "How much do YOU love ME?"
Fritz escaped that truly Christian trap by saying, "I asked you first."
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