Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for George Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Catriona by Robert Louis Stevenson:

kinsman Mr. Balfour of Pilrig, to Stewart the Writer that was Appin's agent, and to William Grant Esquire of Prestongrange, Lord Advocate of Scotland. Mr. Balfour's was a non-committal visit; and besides (Pilrig being in the country) I made bold to find the way to it myself, with the help of my two legs and a Scots tongue. But the rest were in a different case. Not only was the visit to Appin's agent, in the midst of the cry about the Appin murder, dangerous in itself, but it was highly inconsistent with the other. I was like to have a bad enough time of it with my Lord Advocate Grant, the best of ways; but to go to him hot-foot from Appin's agent, was little likely to mend my own affairs, and might prove the mere ruin of friend Alan's. The whole

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anabasis by Xenophon:

in Corinth. He died in 354 B.C.

The Anabasis is his story of the march to Persia to aid Cyrus, who enlisted Greek help to try and take the throne from Artaxerxes, and the ensuing return of the Greeks, in which Xenophon played a leading role. This occurred between 401 B.C. and March 399 B.C.

PREPARER'S NOTE

This was typed from Dakyns' series, "The Works of Xenophon," a four-volume set. The complete list of Xenophon's works (though there is doubt about some of these) is:


Anabasis
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Elixir of Life by Honore de Balzac:

was a keen sense of curiosity that goaded him into boldness. The devil himself might have whispered the words that were echoing through his brain, Moisten one of the eyes with the liquid! He took up a linen cloth, moistened it sparingly with the precious fluid, and passed it lightly over the right eyelid of the corpse. The eye unclosed. . . .

"Aha!" said Don Juan. He gripped the flask tightly, as we clutch in dreams the branch from which we hang suspended over a precipice.

For the eye was full of life. It was a young child's eye set in a death's head; the light quivered in the depths of its youthful

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

the line of poor Armour's rejected canvases, but the need to get away from Kauffer with his equal claim upon my sympathy was too great. To have cracked my solemn mask by a single smile would have been to break down irrepressibly, and never since I set foot in India had I felt a parallel desire to laugh and to weep. There was a pang in it which I recognize as impossible to convey, arising from the point of contact, almost unimaginable yet so clear before me, of the uncompromising ideals of the atelier and the naive demands of the Oriental, with an unhappy photographer caught between and wriggling. The situation was really monstrous, the fatuous rejection of all that fine scheming and exquisite manipulation, and