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Today's Stichomancy for H. G. Wells

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from American Notes by Rudyard Kipling:

then a fall as of heavy tropical rain, and the red man, who was backed against the passage-wall, you will understand, stood clear of the wildly kicking hoofs and passed his hand over his eyes, not from any feeling of compassion, but because the spurted blood was in his eyes, and he had barely time to stick the next arrival. Then that first stuck swine dropped, still kicking, into a great vat of boiling water, and spoke no more words, but wallowed in obedience to some unseen machinery, and presently came forth at the lower end of the vat, and was heaved on the blades of a blunt paddle-wheel, things which said "Hough, hough, hough!" and skelped all the hair off him, except what little a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

as dark as the grave. I knew everybody went to bed by ten. But there might be a prowling servant--the kitchen-maid might have come down to let in her Italian. I had to risk that, of course. I crept around by the back door and hid in the shrubbery. Then I listened. It was all as silent as death. I crossed over to the house, pried open the pantry window and climbed in. I had a little electric lamp in my pocket, and shielding it with my cap I groped my way to the ice-box, opened it--and there was the little French melon . . . only one.

"I stopped to listen--I was quite cool. Then I pulled out my bottle of stuff and my syringe, and gave each section of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from De Profundis by Oscar Wilde:

movement in life': the other is 'The artistic life considered in its relation to conduct.' The first is, of course, intensely fascinating, for I see in Christ not merely the essentials of the supreme romantic type, but all the accidents, the wilfulnesses even, of the romantic temperament also. He was the first person who ever said to people that they should live 'flower-like lives.' He fixed the phrase. He took children as the type of what people should try to become. He held them up as examples to their elders, which I myself have always thought the chief use of children, if what is perfect should have a use. Dante describes the soul of a man as coming from the hand of God 'weeping and laughing like a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Snow Image by Nathaniel Hawthorne:

readily adopts into a scene like this, the stage-coach was rattling down the mountain-road, and the driver sounded his horn, while Echo caught up the notes, and intertwined them into a rich and varied and elaborate harmony, of which the original performer could lay claim to little share. The great hills played a concert among themselves, each contributing a strain of airy sweetness.

Little Joe's face brightened at once.

"Dear father," cried he, skipping cheerily to and fro, "that strange man is gone, and the sky and the mountains all seem glad of it!"

"Yes," growled the lime-burner, with an oath, "but he has let the


The Snow Image