| The first excerpt represents the past or something you must release, and is drawn from Little Rivers by Henry van Dyke: your perusal. And so I wish that your winter fire may burn clear
and bright while you read these pages; and that the summer days may
be fair, and the fish may rise merrily to your fly, whenever you
follow one of these little rivers.
1895.
A LEAF OF SPEARMINT
RECOLLECTIONS OF A BOY AND A ROD.
"It puzzles me now, that I remember all these young impressions so,
because I took no heed of them at the time whatever; and yet they
come upon me bright, when nothing else is evident in the gray fog
of experience."--B. D. BLACKMORE: Lorna Doone.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays & Lectures by Oscar Wilde: was essentially unscientific. Its inherent weakness is clearly
pointed out by Plato, who showed that while this theory will no
doubt explain many of the current legends, yet, if it is to be
appealed to at all, it must be as a universal principle; a position
he is by no means prepared to admit.
Like many other great principles it suffered from its disciples,
and furnished its own refutation when the web of Penelope was
analysed into a metaphor of the rules of formal logic, the warp
representing the premises, and the woof the conclusion.
Rejecting, then, the allegorical interpretation of the sacred
writings as an essentially dangerous method, proving either too
|
The third excerpt represents the future or something you must embrace, and is drawn from Twelve Stories and a Dream by H. G. Wells: of their faces, I know. But the face of this girl--it is much more
real to me. I can bring it back into memory so that I see it
again--I could draw it or paint it. And after all--"
He stopped--but I said nothing.
"The face of a dream--the face of a dream. She was beautiful. Not
that beauty which is terrible, cold, and worshipful, like the beauty
of a saint; nor that beauty that stirs fierce passions; but a sort
of radiation, sweet lips that softened into smiles, and grave grey
eyes. And she moved gracefully, she seemed to have part with all
pleasant and gracious things--"
He stopped, and his face was downcast and hidden. Then he looked up
|