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Today's Stichomancy for H. P. Lovecraft

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Elixir of Life by Honore de Balzac:

portion of the social machinery?

If the author has preserved the old-fashioned style of address To the Reader before a work wherein he endeavors to represent all literary forms, it is for the purpose of making a remark that applies to several of the Studies, and very specially to this. Every one of his compositions has been based upon ideas more or less novel, which, as it seemed to him, needed literary expression; he can claim priority for certain forms and for certain ideas which have since passed into the domain of literature, and have there, in some instances, become common property; so that the date of the first publication of each Study

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac:

And again she cried, "Holy Virgin, Mother of God, have pity upon me!"

"Be comforted, mother. God is not a Lombard usurer. I may have killed people good and bad at random in my time, but I am not afraid of the resurrection."

"Ah! master Lancepesade, how happy those fair ladies are, to be so near to a bishop, a holy man! They will get absolution for their sins," said the old woman. "Oh! if I could only hear a priest say to me, 'Thy sins are forgiven!' I should believe it then."

The stranger turned towards her, and the goodness in his face made her tremble.

"Have faith," he said, "and you will be saved."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Touchstone by Edith Wharton:

homeward in the complete mental abeyance that follows on such a crisis. He was not aware that he was thinking of his wife; yet when he reached his own door he found that, in the involuntary readjustment of his vision, she had once more become the central point of consciousness.

XIII

It had never before occurred to him that she might, after all, have missed the purport of the document he had put in her way. What if, in her hurried inspection of the papers, she had passed it over as related to the private business of some client? What, for instance, was to prevent her concluding that Glennard was the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Vicar of Tours by Honore de Balzac:

daughter of a wood-merchant, a peasant, who had risen from the ranks. She might have been plump at eighteen, but no trace remained of the fair complexion and pretty color of which she was wont to boast. The tones of her flesh had taken the pallid tints so often seen in "devotes." Her aquiline nose was the feature that chiefly proclaimed the despotism of her nature, and the flat shape of her forehead the narrowness of her mind. Her movements had an odd abruptness which precluded all grace; the mere motion with which she twitched her handkerchief from her bag and blew her nose with a loud noise would have shown her character and habits to a keen observer. Being rather tall, she held herself very erect, and justified the remark of a