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Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the past or something you must release, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

come from a great distance--as far as his keen ears could detect the shrill and piercing summons of the ape-man--and when Tarzan was squatted upon his head, Tantor would lumber through the jungle in any direction which his rider bade him go. It was the power of the man-mind over that of the brute and it was just as effective as though both fully understood its origin, though neither did.

For half an hour Tarzan sprawled there upon Tantor's back. Time had no meaning for either of them. Life, as they saw it, consisted principally in keeping their stomachs filled. To Tarzan this was a less arduous labor than to Tantor,


The Jungle Tales of Tarzan
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Woman and Labour by Olive Schreiner:

the antiquated type of the opposite sex; that between father and daughter, mother and son, brother and sister, husband and wife, may sometimes be found to intervene not merely years, but even centuries of social evolution.

It is not man as man who opposes the attempt of woman to readjust herself to the new conditions of life: that opposition arises, perhaps more often, from the retrogressive members of her own sex. And it is a fact which will surprise no one who has studied the conditions of modern life; that among the works of literature in all European languages, which most powerfully advocate the entrance of woman into the new fields of labour, and which most uncompromisingly demand for her the widest training and freedom of

The third excerpt represents the future or something you must embrace, and is drawn from The Glimpses of the Moon by Edith Wharton:

the thin rain before the sphinx-guarded threshold of the pavilion.

The revolving year had brought around the season at which Mrs. Melrose's house might be convenient: no visitors were to be feared at Versailles at the end of August, and though Susy's reasons for seeking solitude were so remote from those she had once prefigured, they were none the less cogent. To be alone-- alone! After those first exposed days when, in the persistent presence of Fred Gillow and his satellites, and in the mocking radiance of late summer on the lagoons, she had fumed and turned about in her agony like a trapped animal in a cramping cage, to