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Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

of an elephant.

To his right and left in other parts of the jungle other warriors were watching. A low signal, passed from one to another, apprised the most distant that the quarry was afoot. Rapidly they converged toward the trail, taking positions in trees down wind from the point at which Tantor must pass them. Silently they waited and presently were rewarded by the sight of a mighty tusker carrying an amount of ivory in his long tusks that set their greedy hearts to palpitating.

No sooner had he passed their positions than the warriors


The Jungle Tales of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dreams & Dust by Don Marquis:

"Silvia, Silvia, Be our Song once more, Our vale revisit, Silvia, And be our Song once more: For joy lies sleeping in the lute; The merry pipe, the woodland flute, And all the pleading reeds are mute That breathed to thee of yore.

"Silvia, Silvia, Be our Moon again,

Shine on our valley, Silvia,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Black Tulip by Alexandre Dumas:

prisoner of State will be dismissed.'"

"Yes, who lays hands," said Gryphus, mad with rage, "but there is not a word about a stick in the regulation."

"And the second," continued Cornelius, "which is not written in the regulation, but which is to be found elsewhere: --

"'Whosoever takes up the stick will be thrashed by the stick.'"

Gryphus, growing more and more exasperated by the calm and sententious tone of Cornelius, brandished his cudgel, but at the moment when he raised it Cornelius rushed at him, snatched it from his hands, and put it under his own arm.


The Black Tulip
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

full of the spoiled exhalations of the washstand, came occasional whiffs of a more pungent scent, the scent of some grains or dry patchouli ground to fine powder at the bottom of a cup. And as she gathered herself together and drew up her dressing jacket, which had been ill fastened, Nana had all the appearance of having been surprised at her toilet: her skin was still damp; she smiled and looked quite startled amid her frills and laces.

"Madame, you will pardon our insistence," said the Count Muffat gravely. "We come on a quest. Monsieur and I are members of the Benevolent Organization of the district."

The Marquis de Chouard hastened gallantly to add: