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Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

chalk. It was a joke among his students that he could not lecture without that piece of chalk to fumble in his fingers, and once he had been stricken to impotence by their hiding his supply. He came and looked under his grey eyebrows at the rising tiers of young fresh faces, and spoke with his accustomed studied commonness of phrasing. "Circumstances have arisen--circumstances beyond my control," he said and paused, "which will debar me from completing the course I had designed. It would seem, gentlemen, if I may put the thing clearly and briefly, that--Man has lived in vain."

The students glanced at one another. Had they heard aright? Mad? Raised eyebrows and grinning lips there were, but one or two

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Drama on the Seashore by Honore de Balzac:

adding, after a pause, "and her food."

"But see," I said, "how the winds from the sea bend or destroy everything. There are no trees. Fragments of wreckage or old vessels that are broken up are sold to those who can afford to buy; for costs of transportation are too heavy to allow them to use the firewood with which Brittany abounds. This region is fine for none but noble souls; persons without sentiments could never live here; poets and barnacles alone should inhabit it. All that ever brought a population to this rock were the salt-marshes and the factory which prepares the salt. On one side the sea; on the other, sand; above, illimitable space."

We had now passed the town, and had reached the species of desert

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Apology by Xenophon:

moderate drinker has become a wine-bibber and a drunkard; from being a lover of healthy honest toil has become effeminate, or under the thrall of some other wicked pleasure."

[28] Lit. "whom do you know," and so throughout.

[29] Cf. Plat. "Phaed." 66 C.

[30] Or, "so attempered and adjusted." The phrase savours of "cynic." theory.

[31] Or, "present no temptation to him"; lit. "that he stands in no further need of what belongs to his neighbours."

[32] {ta legomena}, "the meaning of words and the force of argument."

[33] {ek panton}. Cf. Thuc. i. 120, {osper kai en allois ek panton


The Apology
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ball at Sceaux by Honore de Balzac:

private. The royal drawing-room was full of old adherents, whose powdered heads, seen from above, suggested a carpet of snow. There the Count met some old friends, who received him somewhat coldly; but the princes he thought ADORABLE, an enthusiastic expression which escaped him when the most gracious of his masters, to whom the Count had supposed himself to be known only by name, came to shake hands with him, and spoke of him as the most thorough Vendeen of them all. Notwithstanding this ovation, none of these august persons thought of inquiring as to the sum of his losses, or of the money he had poured so generously into the chests of the Catholic regiments. He discovered, a little late, that he had made war at his own cost.