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Today's Stichomancy for Harry Houdini

The first excerpt represents the past or something you must release, and is drawn from Ursula by Honore de Balzac:

without bowing, followed by Bouvard, who called to him from behind. "Well, what do you say? what do you say?"

"I think I am mad, Bouvard," answered Minoret from the steps of the porte-cochere. "If that woman tells the truth about Ursula,--and none but Ursula can know the things that sorceress has told me,--I shall say that YOU ARE RIGHT. I wish I had wings to fly to Nemours this minute and verify her words. But I shall hire a carriage and start at ten o'clock to-night. Ah! am I losing my senses?"

"What would you say if you knew of a life-long incurable disease healed in a moment; if you saw that great magnetizer bring sweat in torrents from an herpetic patient, or make a paralyzed woman walk?"

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Memories and Portraits by Robert Louis Stevenson:

difficult to tell the little that I know, he stands essentially as a GENIUS LOCI. It is impossible to separate his spare form and old straw hat from the garden in the lap of the hill, with its rocks overgrown with clematis, its shadowy walks, and the splendid breadth of champaign that one saw from the north-west corner. The garden and gardener seem part and parcel of each other. When I take him from his right surroundings and try to make him appear for me on paper, he looks unreal and phantasmal: the best that I can say may convey some notion to those that never saw him, but to me it will be ever impotent.

The first time that I saw him, I fancy Robert was pretty old

The third excerpt represents the future or something you must embrace, and is drawn from Resurrection by Leo Tolstoy:

thought I never should return to this childishness. Yet it is not childishness, but converse with my own self, with this real divine self which lives in every man. All this time that I slept there was no one for me to converse with. I was awakened by an extraordinary event on the 28th of April, in the Law Court, when I was on the jury. I saw her in the prisoners' dock, the Katusha betrayed by me, in a prisoner's cloak, condemned to penal servitude through a strange mistake, and my own fault. I have just been to the Procureur's and to the prison, but I was not admitted. I have resolved to do all I can to see her, to confess to her, and to atone for my sin, even by a marriage. God help me.


Resurrection