| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes: its latitude. On examination, I found all its erudition was taken
ready-made from D'Israeli. If I had been ill-natured, I should
have shown up the little great man, who had once belabored me in
his feeble way. But one can generally tell these wholesale thieves
easily enough, and they are not worth the trouble of putting them
in the pillory. I doubt the entire novelty of my remarks just made
on telling unpleasant truths, yet I am not conscious of any
larceny.
Neither make too much of flaws and occasional overstatements. Some
persons seem to think that absolute truth, in the form of rigidly
stated propositions, is all that conversation admits. This is
 The Autocrat of the Breakfast-Table |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides and Other Poems by Oscar Wilde: An agony of endless centuries,
And we were vain and ignorant nor knew
That when we stabbed thy heart it was our own real hearts we slew.
Being ourselves the sowers and the seeds,
The night that covers and the lights that fade,
The spear that pierces and the side that bleeds,
The lips betraying and the life betrayed;
The deep hath calm: the moon hath rest: but we
Lords of the natural world are yet our own dread enemy.
Is this the end of all that primal force
Which, in its changes being still the same,
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll: For if I laugh, however low,
When thou'rt awake, thou weepest!
I took my sister t'other day
(Excuse the slang expression)
To Sadler's Wells to see the play
In hopes the new impression
Might in her thoughts, from grave to gay
Effect some slight digression.
I asked three gay young dogs from town
To join us in our folly,
Whose mirth, I thought, might serve to drown
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ion by Plato: him mad if he could only hear his embellishments of Homer. Socrates asks
whether he can speak well about everything in Homer. 'Yes, indeed he can.'
'What about things of which he has no knowledge?' Ion answers that he can
interpret anything in Homer. But, rejoins Socrates, when Homer speaks of
the arts, as for example, of chariot-driving, or of medicine, or of
prophecy, or of navigation--will he, or will the charioteer or physician or
prophet or pilot be the better judge? Ion is compelled to admit that every
man will judge of his own particular art better than the rhapsode. He
still maintains, however, that he understands the art of the general as
well as any one. 'Then why in this city of Athens, in which men of merit
are always being sought after, is he not at once appointed a general?' Ion
|