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Today's Stichomancy for Henry Ford

The first excerpt represents the past or something you must release, and is drawn from My Antonia by Willa Cather:

`Walk in, gentlemen,' he said weakly. `I am alive, you see, and competent. You are witnesses that I have survived my wife. You will find her in her own room. Please make your examination at once, so that there will be no mistake.'

One of the neighbours telephoned for a doctor, while the others went into Mrs. Cutter's room. She was lying on her bed, in her night-gown and wrapper, shot through the heart. Her husband must have come in while she was taking her afternoon nap and shot her, holding the revolver near her breast. Her night-gown was burned from the powder.

The horrified neighbours rushed back to Cutter. He opened his eyes and


My Antonia
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

I'll swear, not since she's been dead, either. And then there was that other --" but Turan, seeing a thousand or more years of osculatory memoirs portending, interrupted.

"Tell me, ancient one," he said, "not of thy loves but of thyself. Who are you? What do you here in the pits of O-Tar?"

"I might ask you the same, young man," replied the other. "Few there are who visit the pits other than the dead, except my pupils--ey! That is it--you are new pupils! Good! But never before have they sent a woman to learn the great art from the greatest artist. But times have changed. Now, in my day the women did no work--they were just for kissing and loving. Ey, those


The Chessmen of Mars
The third excerpt represents the future or something you must embrace, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

d'Arthez's arm, in the simplest manner, to return to Madame d'Espard's little salon. As they crossed the grand salon she walked slowly, and when sufficiently separated from the marquise, who was on Blondet's arm, she stopped.

"I do not wish to be inaccessible to the friend of that poor man," she said to d'Arthez; "and though I have made it a rule to receive no visitors, you will always be welcome in my house. Do not think this a favor. A favor is only for strangers, and to my mind you and I seem old friends; I see in you the brother of Michel."

D'Arthez could only press her arm, unable to make other reply.

After coffee was served, Diane de Cadignan wrapped herself, with