The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Iliad by Homer: persuade me. Are you to keep your own prize, while I sit tamely
under my loss and give up the girl at your bidding? Let the
Achaeans find me a prize in fair exchange to my liking, or I will
come and take your own, or that of Ajax or of Ulysses; and he to
whomsoever I may come shall rue my coming. But of this we will
take thought hereafter; for the present, let us draw a ship into
the sea, and find a crew for her expressly; let us put a hecatomb
on board, and let us send Chryseis also; further, let some chief
man among us be in command, either Ajax, or Idomeneus, or
yourself, son of Peleus, mighty warrior that you are, that we may
offer sacrifice and appease the the anger of the god."
 The Iliad |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Oedipus Trilogy by Sophocles: OEDIPUS
Declare it then and make thy meaning plain.
CHORUS
Brand not a friend whom babbling tongues assail;
Let not suspicion 'gainst his oath prevail.
OEDIPUS
Bethink you that in seeking this ye seek
In very sooth my death or banishment?
CHORUS
No, by the leader of the host divine!
(Str. 2)
 Oedipus Trilogy |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beyond Good and Evil by Friedrich Nietzsche: also, is what you want; and therefore "Cheers for natural law!"--
is it not so? But, as has been said, that is interpretation, not
text; and somebody might come along, who, with opposite
intentions and modes of interpretation, could read out of the
same "Nature," and with regard to the same phenomena, just the
tyrannically inconsiderate and relentless enforcement of the
claims of power--an interpreter who should so place the
unexceptionalness and unconditionalness of all "Will to Power"
before your eyes, that almost every word, and the word "tyranny"
itself, would eventually seem unsuitable, or like a weakening and
softening metaphor--as being too human; and who should,
 Beyond Good and Evil |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Somebody's Little Girl by Martha Young: cat came and rubbed up against me, and walked round and round me.
The Dreadful Fever was everywhere, and nobody could tell me
anything; and I searched everywhere, always and always alone--there
was no one to help me: everyone was trying to save from the Dreadful
Fever--''
Bessie Bell did not know what all that was about, but she felt so
sorry for the lady that she squeezed down ever so softly on her hand
that held her own still so tightly.
Sister Helen Vincula wiped her eyes.
The lady kept looking away off, but still held Bessie Bell's hand in
hers.
|