| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Baltimore by Owen Wister: "You are quite dispassionate!" Her eyes were always toward the window.
"That's my 'sacred trust.'"
It made her look at me. "Yours?"
"Not yours--yet! It would be yours if you had won." I thought a slight
change came in her steady scrutiny. "And, Miss La Heu, it was awful about
the negro. It is awful. The young North thinks so just as much as you do.
Oh, we shock our old people! We don't expect them to change, but they
mustn't expect us not to. And even some of them have begun to whisper a
little doubtfully. But never mind them--here's the negro. We can't kick
him out. That plan is childish. So, it's like two men having to live in
one house. The white man would keep the house in repair, the black would
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Silverado Squatters by Robert Louis Stevenson: the very birds in the verandah might communicate a flavour,
and that romantic cellar influence the bottle next to be
uncorked in Pimlico, and the smile of jolly Mr. Schram might
mantle in the glass.
But these are but experiments. All things in this new land
are moving farther on: the wine-vats and the miner's
blasting tools but picket for a night, like Bedouin
pavillions; and to-morrow, to fresh woods! This stir of
change and these perpetual echoes of the moving footfall,
haunt the land. Men move eternally, still chasing Fortune;
and, fortune found, still wander. As we drove back to
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