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Today's Stichomancy for Ho Chi Minh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Merry Men by Robert Louis Stevenson:

lamp in her hand and smiling on him to come back. I cried out aloud to God, and threw my arms about him, but he put me by, and left me alone. He had made his choice; God help us. I would pray for him, but to what end? there are sins that not even the Pope can loose.'

'And your friend,' I asked, 'what became of him?'

'Nay, God knows,' said the muleteer. 'If all be true that we hear, his end was like his sin, a thing to raise the hair.'

'Do you mean that he was killed?' I asked.

'Sure enough, he was killed,' returned the man. 'But how? Ay, how? But these are things that it is sin to speak of.'

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Black Tulip by Alexandre Dumas:

Another observed that the love of tulips agreed perfectly well with that of politics, and that it was proved in history that many very dangerous men were engaged in gardening, just as if it had been their profession, whilst really they occupied themselves with perfectly different concerns; witness Tarquin the Elder, who grew poppies at Gabii, and the Great Conde, who watered his carnations at the dungeon of Vincennes at the very moment when the former meditated his return to Rome, and the latter his escape from prison.

The judge summed up with the following dilemma: --


The Black Tulip
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Drama on the Seashore by Honore de Balzac:

prophesied, we passed in silence, rapidly; when he met us he saw our emotion of mingled terror and astonishment, but he made no boast of the truth of his prediction; he merely said,--

"You have seen him."

"Who is that man?"

"They call him the Man of the Vow."

You can imagine the movement with which our two heads turned at once to our guide. He was a simple-hearted fellow; he understood at once our mute inquiry, and here follows what he told us; I shall try to give it as best I can in his own language, retaining his popular parlance.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

savage cousin came to be familiar friends of the eager boy. He could differentiate the innumerable species of the herbivora by scent, and he could tell, too, whether an animal was approaching or departing merely by the waxing or waning strength of its effluvium. Nor did he need the evidence of his eyes to tell him whether there were two lions or four up wind,--a hundred yards away or half a mile.

Much of this had Akut taught him, but far more was instinctive knowledge--a species of strange intuition inherited from his father. He had come to love the jungle life. The constant battle of wits and senses against the many deadly foes that lurked by day and by night along the pathway of the wary and the unwary


The Son of Tarzan