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Today's Stichomancy for Howard Stern

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Philebus by Plato:

yearning all his life long for a truth which will hereafter be revealed to him. In the Republic the pleasures of knowledge are affirmed to be superior to other pleasures, because the philosopher so estimates them; and he alone has had experience of both kinds. (Compare a similar argument urged by one of the latest defenders of Utilitarianism, Mill's Utilitarianism). In the Philebus, Plato, although he regards the enemies of pleasure with complacency, still further modifies the transcendentalism of the Phaedo. For he is compelled to confess, rather reluctantly, perhaps, that some pleasures, i.e. those which have no antecedent pains, claim a place in the scale of goods.

There have been many reasons why not only Plato but mankind in general have

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Start in Life by Honore de Balzac:

the great world, or, indeed, known anything about it, put themselves into their best clothes on the following day, impatient enough to behold, and be presented to the Mexican Marquise de las Florentinas y Cabirolos.

"What luck," said Oscar to Godeschal, as they were getting up in the morning, "that I had just ordered a new coat and trousers and waistcoat, and that my dear mother had made me that fine outfit! I have six frilled shirts of fine linen in the dozen she made for me. We shall make an appearance! Ha! ha! suppose one of us were to carry off the Creole marchioness from that Georges Marest!"

"Fine occupation that, for a clerk in our office!" cried Godeschal.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dreams by Olive Schreiner:

the desert, and one lay upon the sand with its neck stretched out, and one stood by it. And I looked curiously at the one that lay upon the ground, for it had a great burden on its back, and the sand was thick about it, so that it seemed to have piled over it for centuries.

And I looked very curiously at it. And there stood one beside me watching. And I said to him, "What is this huge creature who lies here on the sand?"

And he said, "This is woman; she that bears men in her body."

And I said, "Why does she lie here motionless with the sand piled round her?"

And he answered, "Listen, I will tell you! Ages and ages long she has lain here, and the wind has blown over her. The oldest, oldest, oldest man

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Last War: A World Set Free by H. G. Wells:

'I hate that sort of eye that laughs and keeps hard,' said the king.

'I won't sit still here and be caught like a fascinated rabbit,' said the king in conclusion. 'We must shift those bombs.'

'Risk it,' said Pestovitch. 'Leave them alone.'

'No,' said the king. 'Shift them near the frontier. Then while they watch us here--they will always watch us here now--we can buy an aeroplane abroad, and pick them up....'

The king was in a feverish, irritable mood all that evening, but he made his plans nevertheless with infinite cunning. They must get the bombs away; there must be a couple of atomic hay lorries,


The Last War: A World Set Free