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Today's Stichomancy for Hugh Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Exiles by Honore de Balzac:

a conflagration blazing up on the horizon, and poured forth a flood of light, coloring slate roof-tops and humbler thatch with a ruddy glow and tawny reflections, fringed Philippe Auguste's towers with fire, flooded the sky, dyed the waters, gilded the plants, and aroused the half-sleeping insects. The immense shaft of light set the clouds on fire. It was like the last verse of the daily hymn. Every heart was thrilled; nature in such a moment is sublime.

As he gazed at the spectacle, the stranger's eyes moistened with the tenderest of human tears: Godefroid too was weeping; his trembling hand touched that of the elder man, who, looking round, confessed his emotion. But thinking his dignity as a man compromised, no doubt, to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ursula by Honore de Balzac:

"Resign yourself to becoming my wife, rich and idolized. I am resolved. If you are not mine living you shall be mine dead. To your refusal you may attribute not only your own misfortunes, but those which will fall on others.

"He who loves you, and whose wife you will be."

Curiously enough, at the very moment that the gentle victim of this plot was drooping like a cut flower, Mesdemoiselles Massin, Dionis, and Cremiere were envying her lot.

"She is a lucky girl," they were saying; "people talk of her, and court her, and quarrel about her. The serenade was charming; there was a cornet-a-piston."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Woodlanders by Thomas Hardy:

scrape had turned the color of an unripe blackberry previous to vanishing altogether. "Wait a moment, then--I'll damp it," said Fitzpiers. He put his lips to the place and kept them there till the plaster came off easily. "It was at your request I put it on," said he.

"I know it," she replied. "Is that blue vein still in my temple that used to show there? The scar must be just upon it. If the cut had been a little deeper it would have spilt my hot blood indeed!" Fitzpiers examined so closely that his breath touched her tenderly, at which their eyes rose to an encounter--hers showing themselves as deep and mysterious as interstellar space. She


The Woodlanders
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land of Footprints by Stewart Edward White:

opening a hundred yards away, we could catch momentary glimpses of their great black bodies. I thrust forward the safety catch and waited. Finally a half dozen of the huge beasts were feeding not six feet inside the circle of brush, and only thirty-odd yards from where we lay.

And they came no farther! I never passed a more heart-breaking half hour of suspense than that in which little by little the daylight and our hopes faded, while those confounded buffaloes moved slowly out to the very edge of the thicket, turned, and moved as slowly back again. At times they came actually into view. We could see their sleek black bodies rolling lazily into