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Today's Stichomancy for Hugh Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

unsaid his brother's words, excused him on the ground of political preoccupation, and cleverly slipped the rake along the cloth. He played the part of the responsible partner, the careful business man. Two words, two speeches, two interviews, were required before an understanding could be reached with this perfidious house. Often the gracious "yes" of the sumptuous upper floor became a dry "no" in Adolphe's region. This obstructive manoeuvre gave time for reflection, and often served to fool unskilful applicants. As Cesar entered, the banker's brother was conversing with the famous Palma, intimate adviser of the house of Keller, who retired on the appearance of the perfumer. When Birotteau had explained his errand, Adolphe--much the


Rise and Fall of Cesar Birotteau
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Profits of Religion by Upton Sinclair:

priesthood of Babylonia and Assyria:

The ultimate source of all law being the deity himself, the original legal tribunal was the place where the image or symbol of the god stood. A legal decision was an oracle or omen, indicative of the will of the god. The power thus lodged in the priests of Babylonia and Assyria was enormous. They virtually held in their hands the life and death of the people.

And of the business side of this vast religious system:

The temples were the natural depositories of the legal archives, which in the course of centuries grew to veritably enormous proportions. Records were made of all decisions; the facts were

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twilight Land by Howard Pyle:

head to a jelly. But Babo did not wait for his coming; he jumped out of the window, and away he scampered with the cook at his heels.

Well, the upshot of the business was that Simon Agricola had to go back and bring life to the woman again, or the cook would thump him and Babo both with the rolling-pin. And, what was more, Babo had to pay back the two hundred pennies that the cook had given him for curing his wife.

The wise man made a cross upon the woman's forehead, and up she sat, as well--but no better--as before.

"And now be off," said the cook, "or I will call the servants and