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Today's Stichomancy for Hugh Hefner

The first excerpt represents the past or something you must release, and is drawn from Amy Foster by Joseph Conrad:

be a Basque. It didn't necessarily follow that he should understand Spanish; but I tried him with the few words I know, and also with some French. The whispered sounds I caught by bending my ear to his lips puzzled me utterly. That afternoon the young ladies from the Rectory (one of them read Goethe with a dictionary, and the other had strug- gled with Dante for years), coming to see Miss Swaffer, tried their German and Italian on him from the doorway. They retreated, just the least bit scared by the flood of passionate speech which,


Amy Foster
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Black Tulip by Alexandre Dumas:

The judge summed up with the following dilemma: --

"Either Cornelius van Baerle is a great lover of tulips, or a great lover of politics; in either case, he has told us a falsehood; first, because his having occupied himself with politics is proved by the letters which were found at his house; and secondly, because his having occupied himself with tulips is proved by the bulbs which leave no doubt of the fact. And herein lies the enormity of the case. As Cornelius van Baerle was concerned in the growing of tulips and in the pursuit of politics at one and the same time, the prisoner is of hybrid character, of an amphibious


The Black Tulip
The third excerpt represents the future or something you must embrace, and is drawn from An Ideal Husband by Oscar Wilde:

LORD GORING. I don't at all like knowing what people say of me behind my back. It makes me far too conceited.

LORD CAVERSHAM. After that, my dear, I really must bid you good morning.

MABEL CHILTERN. Oh! I hope you are not going to leave me all alone with Lord Goring? Especially at such an early hour in the day.

LORD CAVERSHAM. I am afraid I can't take him with me to Downing Street. It is not the Prime Minster's day for seeing the unemployed.

[Shakes hands with MABEL CHILTERN, takes up his hat and stick, and goes out, with a parting glare of indignation at LORD GORING.]

MABEL CHILTERN. [Takes up roses and begins to arrange them in a bowl