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Today's Stichomancy for Hugh Jackman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

stand. And if anybody remarks cynically that I must have been a promising infant in those days, let that stand, too. I am concerned but for the good name of the Tremolino, and I affirm that a ship is ever guiltless of the sins, transgressions, and follies of her men.

XLII.

It was not Tremolino's fault that the syndicate depended so much on the wit and wisdom and the information of Dona Rita. She had taken a little furnished house on the Prado for the good of the cause - POR EL REY! She was always taking little houses for somebody's good, for the sick or the sorry, for broken-down artists, cleaned-


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Russia in 1919 by Arthur Ransome:

work of this Commissariat. I should have added that the three most important departments-the department for safeguarding labour, the department for distributing labour, and that for regulating wages-are entirely controlled by the Unions."

"How do politics affect the Commissariat?"

"Not at all. Politics do not count with us, just because we are directly controlled by the Unions, and not, by any political party. Mensheviks, Maximalists and others have worked and are working in the Commissariat. Of course if a man were opposed to the revolution as a whole we should

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Tramp Abroad by Mark Twain:

and in this exposed situation we were attacked by all the fury of that grand enemy of aspirants to Monte Rosa--a severe and bitterly cold wind from the north. The fine powdery snow was driven past us in the clouds, penetrating the interstices of our clothes, and the pieces of ice which flew from the blows of Peter's ax were whisked into the air, and then dashed over the precipice. We had quite enough to do to prevent ourselves from being served in the same ruthless fashion, and now and then, in the more violent gusts of wind, were glad to stick our alpenstocks into the ice and hold on hard."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

inhumanly ferocious chastity. But for the most part Shakespear differentiates his heroes from his villains much more by what they do than by what they are. Don John in Much Ado is a true villain: a man with a malicious will; but he is too dull a duffer to be of any use in a leading part; and when we come to the great villains like Macbeth, we find, as Mr Harris points out, that they are precisely identical with the heroes: Macbeth is only Hamlet incongruously committing murders and engaging in hand-to-hand combats. And Hamlet, who does not dream of apologizing for the three murders he commits, is always apologizing because he has not yet committed a fourth, and finds, to his great bewilderment, that he does not want to commit it. "It