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Today's Stichomancy for Hugh Jackman

The first excerpt represents the past or something you must release, and is drawn from The Scarecrow of Oz by L. Frank Baum:

about -- not to mention Ozma, who must be the sweetest and loveliest girl in all the world!"

"Take your time, Trot," advised Button-Bright. "You don't have to say it all in one breath, you know. And you haven't mentioned half of the curious people in the Em'rald City."

"That 'ere Em'rald City," said Cap'n Bill impressively, "happens to be on the other side o' those mountains, that we're told no one is able to cross. I don't want to discourage of you, Trot, but we're a'most as much separated from your Ozma an' Dorothy as we were when we


The Scarecrow of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Romeo and Juliet by William Shakespeare:

Then twenty of their Swords, looke thou but sweete, And I am proofe against their enmity

Iul. I would not for the world they saw thee here

Rom. I haue nights cloake to hide me from their eyes And but thou loue me, let them finde me here, My life were better ended by their hate, Then death proroged wanting of thy Loue

Iul. By whose direction found'st thou out this place? Rom. By Loue that first did prompt me to enquire, He lent me counsell, and I lent him eyes, I am no Pylot, yet wert thou as far


Romeo and Juliet
The third excerpt represents the future or something you must embrace, and is drawn from Ion by Plato:

single poem; and the rhapsode is the inspired interpreter of the poet, and for a similar reason some rhapsodes, like Ion, are the interpreters of single poets.

Ion is delighted at the notion of being inspired, and acknowledges that he is beside himself when he is performing;--his eyes rain tears and his hair stands on end. Socrates is of opinion that a man must be mad who behaves in this way at a festival when he is surrounded by his friends and there is nothing to trouble him. Ion is confident that Socrates would never think him mad if he could only hear his embellishments of Homer. Socrates asks whether he can speak well about everything in Homer. 'Yes, indeed he can.' 'What about things of which he has no knowledge?' Ion answers that he can