| The first excerpt represents the past or something you must release, and is drawn from Gulliver's Travels by Jonathan Swift: senate house, attended by their apothecaries stored with proper
medicines; and before the members sat, administer to each of them
lenitives, aperitives, abstersives, corrosives, restringents,
palliatives, laxatives, cephalalgics, icterics, apophlegmatics,
acoustics, as their several cases required; and, according as
these medicines should operate, repeat, alter, or omit them, at
the next meeting."
This project could not be of any great expense to the public; and
might in my poor opinion, be of much use for the despatch of
business, in those countries where senates have any share in the
legislative power; beget unanimity, shorten debates, open a few
 Gulliver's Travels |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne: course. One of his most rational projects was to connect a
musical operation with the machinery of his watches, so that all
the harsh dissonances of life might be rendered tuneful, and each
flitting moment fall into the abyss of the past in golden drops
of harmony. If a family clock was intrusted to him for
repair,--one of those tall, ancient clocks that have grown nearly
allied to human nature by measuring out the lifetime of many
generations,--he would take upon himself to arrange a dance or
funeral procession of figures across its venerable face,
representing twelve mirthful or melancholy hours. Several freaks
of this kind quite destroyed the young watchmaker's credit with
 Mosses From An Old Manse |
The third excerpt represents the future or something you must embrace, and is drawn from Falk by Joseph Conrad: He had for Schomberg a repulsion resembling that
sort of physical fear some people experience at the
sight of a toad. Perhaps to a man so essentially
and silently concentrated upon himself (though he
could talk well enough, as I was to find out
presently) the other's irrepressible loquacity, em-
bracing every human being within range of the
tongue, might have appeared unnatural, disgust-
ing, and monstrous. He suddenly gave signs of
restiveness--positively like a horse about to rear,
and, muttering hurriedly as if in great pain, "No.
 Falk |