| The first excerpt represents the past or something you must release, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne: self-same good to which he has put his hand, and in the very mode
that best suits his own conceptions. All else is worthless. His
scheme must be wrought out by the united strength of the whole
world's stock of love, or the world is no longer worthy of a
position in the universe. Moreover, powerful Truth, being the
rich grape juice expressed from the vineyard of the ages, has an
intoxicating quality, when imbibed by any save a powerful
intellect, and often, as it were, impels the quaffer to quarrel
in his cups. For such reasons, strange to say, it is harder to
contrive a friendly arrangement of these brethren of love and
righteousness, in the procession of life. than to unite even the
 Mosses From An Old Manse |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Night and Day by Virginia Woolf: into the British Museum, and strolled down the gallery with the shapes
of stone until she found an empty seat directly beneath the gaze of
the Elgin marbles. She looked at them, and seemed, as usual, borne up
on some wave of exaltation and emotion, by which her life at once
became solemn and beautiful--an impression which was due as much,
perhaps, to the solitude and chill and silence of the gallery as to
the actual beauty of the statues. One must suppose, at least, that her
emotions were not purely esthetic, because, after she had gazed at the
Ulysses for a minute or two, she began to think about Ralph Denham. So
secure did she feel with these silent shapes that she almost yielded
to an impulse to say "I am in love with you" aloud. The presence of
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The third excerpt represents the future or something you must embrace, and is drawn from Love Songs by Sara Teasdale: Down where the fishers go --
It answered me with silence,
Silence below.
Oh, I could give him weeping,
Or I could give him song --
But how can I give silence,
My whole life long?
The Look
Strephon kissed me in the spring,
Robin in the fall,
But Colin only looked at me
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