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Today's Stichomancy for Ian McKellan

The first excerpt represents the past or something you must release, and is drawn from Flower Fables by Louisa May Alcott:

full of joy that they had come. The child saw that each one wore the colors of the flower that was its home. Delicate and graceful were the little forms, bright the silken hair that fell about each lovely face; and Eva heard the low, sweet murmur of their silvery voices and the rustle of their wings. She gazed in silent wonder, forgetting she knew not who they were, till the Fairy said,--

"These are the spirits of the flowers, and this the Fairy Home where those whose hearts were pure and loving on the earth come to bloom in fadeless beauty here, when their earthly life is past. The humblest flower that blooms has a home with us, for outward beauty is a worthless thing if all be not fair and sweet within. Do you see


Flower Fables
The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Horsemanship by Xenophon:

touch him as little as possible with anything except that part of the body necessary to secure a firm seat.

Again, it should be known that the conventional "chirrup"[7] to quiet and "cluck" to rouse a horse are a sort of precept of the training school; and supposing any one from the beginning chose to associate soft soothing actions with the "cluck" sound, and harsh rousing actions with the "chirrup," the horse could be taught to rouse himself at the "chirrup" and to calm himself at the "cluck" sound. On this principle, at the sound of the trumpet or the shout of battle the rider should avoid coming up to his charger in a state of excitement, or, indeed, bringing any disturbing influence to bear on the animal.


On Horsemanship
The third excerpt represents the future or something you must embrace, and is drawn from Bureaucracy by Honore de Balzac:

the parabolical method of savages. Listen and comprehend: While the ministers start discussions in the Chambers that are just about as useful and as conclusive as the one we are engaged in, the administration cuts the buttons off the tax-payers."

All. "Bravo, Bixiou!"

Poiret [who comprehends]. "I don't regret my buttons."

Bixiou. "I shall follow Minard's example; I won't pocket such a paltry salary as mine any longer; I shall deprive the government of my co-operation." [Departs amid general laughter.]

Another scene was taking place in the minister's reception-room, more instructive than the one we have just related, because it shows how