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Today's Stichomancy for Ian McKellan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Peter Pan by James M. Barrie:

The difference between him and the other boys at such a time was that they knew it was make-believe, while to him make-believe and true were exactly the same thing. This sometimes troubled them, as when they had to make-believe that they had had their dinners.

If they broke down in their make-believe he rapped them on the knuckles.

"Yes, my little man," anxiously replied Slightly, who had chapped knuckles.

"Please, sir," Peter explained, "a lady lies very ill."

She was lying at their feet, but Slightly had the sense not to


Peter Pan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

In this is shown the difference between mortals and immortals.

It was fortunate that the great Ak came to the Forest at this time. Necile sought him with troubled eyes and told him of the fate that threatened their friend Claus.

At once the Master became grave, and he leaned upon his ax and stroked his grizzled beard thoughtfully for many minutes. Then suddenly he stood up straight, and poised his powerful head with firm resolve, and stretched out his great right arm as if determined on doing some mighty deed. For a thought had come to him so grand in its conception that all the world might well bow before the Master Woodsman and honor his name forever!


The Life and Adventures of Santa Claus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

spares neither woman nor child. She has no pity; for some awful, but most good reason, she is not allowed to have any pity. Silently she strikes the sleeping babe, with as little remorse as she would strike the strong man, with the spade or the musket in his hand. Ah! would to God that some man had the pictorial eloquence to put before the mothers of England the mass of preventable suffering, the mass of preventable agony of mind and body, which exists in England year after year; and would that some man had the logical eloquence to make them understand that it is in their power, in the power of the mothers and wives of the higher class, I will not say to stop it all--God only knows that--

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sarrasine by Honore de Balzac:

themselves in the right. "Oh! what a sweet boudoir!" she cried, looking about her. "Blue satin hangings always produce an admirable effect. How cool it is! Ah! the lovely picture!" she added, rising and standing in front of a magnificently framed painting.

We stood for a moment gazing at that marvel of art, which seemed the work of some supernatural brush. The picture represented Adonis stretched out on a lion's skin. The lamp, in an alabaster vase, hanging in the centre of the boudoir, cast upon the canvas a soft light which enabled us to grasp all the beauties of the picture.

"Does such a perfect creature exist?" she asked me, after examining attentively, and not without a sweet smile of satisfaction, the