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Today's Stichomancy for Ian McKellan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Personal Record by Joseph Conrad:

mainly, to adopt the good, sound Ollendorffian style, because I did not want the dog of the general's daughter to fight again (encore) with the faithful dog of my infant son (mon petit garcon).--Was I afraid that the dog of the general's daughter would be able to overcome (vaincre) the dog of my child?--No, I was not afraid. . . . But away with the Ollendorff method. How ever appropriate and seemingly unavoidable when I touch upon anything appertaining to the lady, it is most unsuitable to the origin, character, and history of the dog; for the dog was the gift to the child from a man for whom words had anything but an Ollendorffian value, a man almost childlike in the impulsive


A Personal Record
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

taken or wanted even a small coin in return. Neither have I made any by it. God knows that I have not even sought honor by it, but I have done it as a service to the blessed Christians and to the honor of the One who sits above who blesses me every hour of my life that had I translated a thousand times more diligently, I should not have deserved to live or have a sound eye for even a single hour. All I am and have to offer is from his mercy and grace - indeed of his precious blood and bitter sweat. Therefore, God willing, all of it will also serve to his honor, joyfully and sincerely. I may be insulted by the scribblers and papists but true Christians, along with Christ, their Lord, bless me.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Salammbo by Gustave Flaubert:

and the old men; others proposed to abandon the town, and found a colony far away. But vessels were lacking, and when the sun appeared no decision had been made.

There was no fighting that day, all being too much exhausted. The sleepers looked like corpses.

Then the Carthaginians, reflecting upon the cause of their disasters, remembered that they had not dispatched to Phoenicia the annual offering due to Tyrian Melkarth, and a great terror came upon them. The gods were indignant with the Republic, and were, no doubt, about to prosecute their vengeance.

They were considered as cruel masters, who were appeased with


Salammbo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

they take into their hands as well as every thought they take into their minds. Thus so many of their rhymes have suffered. Some have an undertone of reviling. Some speak familiarly of subjects which we are not accustomed to mention, and others are impure in the extreme. A third difficulty in making a collection of Chinese nursery lore is greater than either the first or the second,--I refer to the difficulty of a metrical rendition of the rhymes. I have no doubt my readers can easily find flaws in my translations