| The first excerpt represents the past or something you must release, and is drawn from Tales of Unrest by Joseph Conrad: satisfaction, pleased with himself for having run down that
fly-by-night. "As if there were such things as ghosts! Bah! It took an
old African soldier to show those clodhoppers. . . . But it was
curious. Who the devil was she?"
Susan listened, crouching. He was coming for her, this dead man. There
was no escape. What a noise he made amongst the stones. . . . She saw
his head rise up, then the shoulders. He was tall--her own man! His
long arms waved about, and it was his own voice sounding a little
strange . . . because of the scissors. She scrambled out quickly,
rushed to the edge of the causeway, and turned round. The man stood
still on a high stone, detaching himself in dead black on the glitter
Tales of Unrest |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Door in the Wall, et. al. by H. G. Wells: white and nearly as plain as by day, with every window-blind but
his own shut like an eye that sleeps. The trees cast still shadows
like intricate black lace upon the wall.
The garden in the moonlight was very different from the garden
by day; moonshine was tangled in the hedges and stretched in
phantom cobwebs from spray to spray. Every flower was gleaming
white or crimson black, and the air was aquiver with the thridding
of small crickets and nightingales singing unseen in the depths of
the trees.
There was no darkness in the world, but only warm, mysterious
shadows; and all the leaves and spikes were edged and lined with
|
The third excerpt represents the future or something you must embrace, and is drawn from The Apology by Xenophon: foolhardy."
[6] See "Mem." IV. viii. 4 foll.), a passage of which this is either
an "ebauchement" or a "rechauffe."
[7] Or, "the philosopher's cast of thought."
[8] Dikasteries.
[9] {to daimonion}.
[10] {edein}, i.e. at any moment.
[11] For the phrase {iskhuros agamenos emauton}, cf. "Mem." II. i. 19.
[12] L. Dindorf cf. Dio Chrys. "Or." 28, {anagke gar auto en
probainonti anti men kallistou aiskhrotero gignesthai k.t.l.}
[13] {apoteleisthai}. In "Mem." IV. viii. 8, {epiteleisthai}.
The Apology |
