| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phaedrus by Plato: highest to him who has or shares in it, and that he who loves the beautiful
is called a lover because he partakes of it. For, as has been already
said, every soul of man has in the way of nature beheld true being; this
was the condition of her passing into the form of man. But all souls do
not easily recall the things of the other world; they may have seen them
for a short time only, or they may have been unfortunate in their earthly
lot, and, having had their hearts turned to unrighteousness through some
corrupting influence, they may have lost the memory of the holy things
which once they saw. Few only retain an adequate remembrance of them; and
they, when they behold here any image of that other world, are rapt in
amazement; but they are ignorant of what this rapture means, because they
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Psychology of Revolution by Gustave le Bon: long, whose religious passions are so intense, and whose
Mohammedans, although in the minority, legitimately claim to
govern the sacred city of their faith according to their code?
How prevent Islam from remaining the State religion in a country
where civil law and religious law are not yet plainly separated,
and where faith in the Koran is the only tie by which the idea of
nationality can be maintained?
It was difficult to destroy such a state of affairs, so that we
were bound to see the re-establishment of an autocratic
organisation with an appearance of constitutionalism--that is to
say, practically the old system once again. Such attempts afford
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sons of the Soil by Honore de Balzac: former convert in the monastery, attached to Rigou as a dog is to his
master, became the groom, gardener, herdsman, valet, and steward of
the sensual Harpagon. Arsene Rigou, the daughter, married in 1821
without dowry to the prosecuting-attorney, inheriting something of her
mother's rather vulgar beauty, together with the crafty mind of her
father.
Now about sixty-seven years of age, Rigou had never been ill in his
life, and nothing seemed able to lessen his aggressively good health.
Tall, lean, with brown circles round his eyes, the lids of which were
nearly black, any one who saw him of a morning, when as he dressed he
exposed the wrinkled, red, and granulated skin of his neck, would have
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: the sun, make us eat them and drink them for our diet. Blind us to
the offences of our beloved, cleanse them from our memories, take
them out of our mouths for ever. Let all here before Thee carry
and measure with the false balances of love, and be in their own
eyes and in all conjunctures the most guilty. Help us at the same
time with the grace of courage, that we be none of us cast down
when we sit lamenting amid the ruins of our happiness or our
integrity: touch us with fire from the altar, that we may be up
and doing to rebuild our city: in the name and by the method of
him in whose words of prayer we now conclude.
FOR SELF-FORGETFULNESS
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