| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Albert Savarus by Honore de Balzac: and he left his card on all his new colleagues, the Ministerial
officials, the Councillors of the Court, and the members of the bench,
with the name, 'ALBERT SAVARON.' "
"The name of Savaron is famous," said Mademoiselle de Watteville, who
was strong in heraldic information. "The Savarons of Savarus are one
of the oldest, noblest, and richest families in Belgium."
"He is a Frenchman, and no man's son," replied Amedee de Soulas. "If
he wishes to bear the arms of the Savarons of Savarus, he must add a
bar-sinister. There is no one left of the Brabant family but a
Mademoiselle de Savarus, a rich heiress, and unmarried."
"The bar-sinister is, of course, the badge of a bastard; but the
 Albert Savarus |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Enoch Arden, &c. by Alfred Tennyson: Cooling her false cheek with a featherfan,
Him glaring, by his own stale devil spurr'd,
And, like a beast hard-ridden, breathing hard.
`Ungenerous, dishonorable, base,
Presumptuous! trusted as he was with her,
The sole succeeder to their wealth, their lands,
The last remaining pillar of their house,
The one transmitter of their ancient name,
Their child.' `Our child!' `Our heiress!' `Ours!' for
still,
Like echoes from beyond a hollow, came
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from De Profundis by Oscar Wilde: Semele. Out of the Carpenter's shop at Nazareth had come a
personality infinitely greater than any made by myth and legend,
and one, strangely enough, destined to reveal to the world the
mystical meaning of wine and the real beauties of the lilies of the
field as none, either on Cithaeron or at Enna, had ever done.
The song of Isaiah, 'He is despised and rejected of men, a man of
sorrows and acquainted with grief: and we hid as it were our faces
from him,' had seemed to him to prefigure himself, and in him the
prophecy was fulfilled. We must not be afraid of such a phrase.
Every single work of art is the fulfilment of a prophecy: for
every work of art is the conversion of an idea into an image.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Kenilworth by Walter Scott: sharply.
"Nothing that concerns me, lady," Varney replied with humility.
"But, think you, honoured madam, that your lord will hear it with
equal equanimity?"
"And wherefore should he not? To me alone was Tressilian's visit
embarrassing and painful, for he brought news of my good father's
illness."
"Of your father's illness, madam!" answered Varney. "It must
have been sudden then--very sudden; for the messenger whom I
dispatched, at my lord's instance, found the good knight on the
hunting field, cheering his beagles with his wonted jovial field-
 Kenilworth |