| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Les Miserables by Victor Hugo: Lombier met a comrade, who asked him: "Whither are you going?"
"Eh! well, I have no weapons." "What then?" "I'm going to my
timber-yard to get my compasses." "What for?" "I don't know,"
said Lombier. A certain Jacqueline, an expeditious man, accosted some
passing artisans: "Come here, you!" He treated them to ten sous'
worth of wine and said: "Have you work?" "No." "Go to Filspierre,
between the Barriere Charonne and the Barriere Montreuil, and you
will find work." At Filspierre's they found cartridges and arms.
Certain well-known leaders were going the rounds, that is to say,
running from one house to another, to collect their men.
At Barthelemy's, near the Barriere du Trone, at Capel's, near the
 Les Miserables |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: mind and embarrassment, that he began to fear for the sanity of his
hosts. Again and again did he strive to divine the cause, but could
not do so; so he went wandering aimlessly about the town, without
succeeding in making up his mind whether he or the officials had gone
crazy. At length, in a state bordering upon bewilderment, he returned
to the inn--to the establishment whence, that every afternoon, he had
set forth in such exuberance of spirits. Feeling the need of something
to do, he ordered tea, and, still marvelling at the strangeness of his
position, was about to pour out the beverage when the door opened and
Nozdrev made his appearance.
"What says the proverb?" he began. "'To see a friend, seven versts is
 Dead Souls |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato: ION: Yes.
SOCRATES: And in judging of the general's art, do you judge of it as a
general or a rhapsode?
ION: To me there appears to be no difference between them.
SOCRATES: What do you mean? Do you mean to say that the art of the
rhapsode and of the general is the same?
ION: Yes, one and the same.
SOCRATES: Then he who is a good rhapsode is also a good general?
ION: Certainly, Socrates.
SOCRATES: And he who is a good general is also a good rhapsode?
ION: No; I do not say that.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Georgics by Virgil: In drowsy sloth to stagnate. Before Jove
Fields knew no taming hand of husbandmen;
To mark the plain or mete with boundary-line-
Even this was impious; for the common stock
They gathered, and the earth of her own will
All things more freely, no man bidding, bore.
He to black serpents gave their venom-bane,
And bade the wolf go prowl, and ocean toss;
Shook from the leaves their honey, put fire away,
And curbed the random rivers running wine,
That use by gradual dint of thought on thought
 Georgics |