| The first excerpt represents the past or something you must release, and is drawn from Rinkitink In Oz by L. Frank Baum: ground.
Prince Inga wept bitter tears of grief as he watched
the ruin of his home; yet he was powerless to avert the
destruction. When the palace had been demolished, some
of the warriors entered their boats and rowed along the
coast of the island, while the others marched in a
great body down the length of the island itself. They
were so numerous that they formed a line stretching
from shore to shore and they destroyed every house they
came to and took every inhabitant prisoner.
The pearl fishers who lived at the lower end of the
Rinkitink In Oz |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: be happy, if happiness shall be our portion - and if the day be
marked for sorrow, strong to endure it.
We thank Thee and praise Thee; and in the words of him to whom this
day is sacred, close our oblation.
FOR SELF-BLAME
LORD, enlighten us to see the beam that is in our own eye, and
blind us to the mote that is in our brother's. Let us feel our
offences with our hands, make them great and bright before us like
the sun, make us eat them and drink them for our diet. Blind us to
the offences of our beloved, cleanse them from our memories, take
them out of our mouths for ever. Let all here before Thee carry
|
The third excerpt represents the future or something you must embrace, and is drawn from The Commission in Lunacy by Honore de Balzac: a cat, asleep, but mysterious in its sleep, shall tell you that this
broom is that on which the wife of a German cobbler rides off to the
Sabbath on the Brocken. Or it will be a quite harmless broom, on which
he will hang the coat of a clerk in the Treasury. Decamps had in his
brush what Paganini had in his bow--a magnetically communicative
power.
Well, I should have to transfer to my style that striking genius, that
marvelous knack of the pencil, to depict the upright, tall, lean man
dressed in black, with black hair, who stood there without speaking a
word. This gentleman had a face like a knife-blade, cold and harsh,
with a color like Seine water when it was muddy and strewn with
|
