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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

time to time: my brothers, especially one who will often be with us, Nikólenka, who will be an old bachelor, bald, retired, always the same kindly, noble fellow.

Just ten years after this letter, my father married, and almost all his dreams were realized, just as he had wished. Only the big house, with his grandmother's room, was missing, and his brother Nikólenka, with the dirty hands, for he died two years before, in 1860. In his family life my father witnessed a repetition of the life of his parents, and in us children he sought to find a repetition of himself and his brothers. We were brought up as regular gentlefolk, proud of our social position and holding

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems by Oscar Wilde:

Would almost leave the little meadow bare, For it knows nothing of great pageantry, Only a few narcissi here and there Stand separate in sweet austerity, Dotting the unmown grass with silver stars, And here and there a daffodil waves tiny scimitars.

Hither the billow brought him, and was glad Of such dear servitude, and where the land Was virgin of all waters laid the lad Upon the golden margent of the strand, And like a lingering lover oft returned

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Anabasis by Xenophon:

leading role. This occurred between 401 B.C. and March 399 B.C.

PREPARER'S NOTE

This was typed from Dakyns' series, "The Works of Xenophon," a four-volume set. The complete list of Xenophon's works (though there is doubt about some of these) is:

Work Number of books

The Anabasis 7 The Hellenica 7 The Cyropaedia 8 The Memorabilia 4


Anabasis
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Journey to the Center of the Earth by Jules Verne:

Gräuben and I, hand in hand, but in silence, pursued our way. The emotions of that day were breaking my heart.

After all, I thought, the kalends of July are a long way off, and between this and then many things may take place which will cure my uncle of his desire to travel underground.

It was night when we arrived at the house in Königstrasse. I expected to find all quiet there, my uncle in bed as was his custom, and Martha giving her last touches with the feather brush.

But I had not taken into account the Professor's impatience. I found him shouting- and working himself up amidst a crowd of porters and messengers who were all depositing various loads in the passage. Our


Journey to the Center of the Earth