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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

other's throats there. But life, apparently, has such exigencies. Without human propensity to murder and other sorts of unrighteousness there would have been no historical heroism. It is a consoling reflection. And then, if one examines impartially the deeds of violence, they appear of but small consequence. From Salamis to Actium, through Lepanto and the Nile to the naval massacre of Navarino, not to mention other armed encounters of lesser interest, all the blood heroically spilt into the Mediterranean has not stained with a single trail of purple the deep azure of its classic waters.

Of course, it may be argued that battles have shaped the destiny of


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lay Morals by Robert Louis Stevenson:

sorrow? Is your heart so dead that you prefer the recognition of many to the love of a few? Do you think society loves you? Put it to the proof. Decline in material expenditure, and you will find they care no more for you than for the Khan of Tartary. You will lose no friends. If you had any, you will keep them. Only those who were friends to your coat and equipage will disappear; the smiling faces will disappear as by enchantment; but the kind hearts will remain steadfastly kind. Are you so lost, are you so dead, are you so little sure of your own soul and your own footing upon solid fact, that you prefer before goodness and happiness the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

So they timidly entered the house again, having faith in their friend's words; and afterward they had the joy of watching Claus carve out a cat from a bit of wood and paint it in natural colors. It did not take him long to do this, for he had become skillful with his knife by this time, and Mayrie loved her toy the more dearly because she had seen it made.

After his little visitors had trotted away on their journey homeward Claus sat long in deep thought. And he then decided that such fierce creatures as his friend the lioness would never do as models from which to fashion his toys.

"There must be nothing to frighten the dear babies," he reflected;


The Life and Adventures of Santa Claus
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

churchyard loiterer; he was brimful of rough hints upon mortality, and any dead farmer was seized upon to be a text. The classical examples of this art are in Greyfriars. In their time, these were doubtless costly monuments, and reckoned of a very elegant proportion by contemporaries; and now, when the elegance is not so apparent, the significance remains. You may perhaps look with a smile on the profusion of Latin mottoes - some crawling endwise up the shaft of a pillar, some issuing on a scroll from angels' trumpets - on the emblematic horrors, the figures rising headless from the grave, and